Sands of Sorrow Book Launch Giveaway

Does the subject line say #Giveway? Technically, excluding the bothersome but necessary hashtag, you’re correct!

Enter HERE for a chance to win a #FREE paperback copy of the Cycle of Ages Saga: Sands of Sorrow, the sequel to Finders Keepers, through #Amazon Giveaways.

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If you don’t win, you can still purchase Sands of Sorrow HERE.

If you haven’t read the first installment in the Cycle of Ages Saga, you can purchase Finders Keepers, HERE.

Please remember to share this with your friends and fellow readers. Thanks for participating!

May the Fates of Faltyr be kind to you, dear reader.

Author Interview: The Charismatic Kimberly Richardson

For my final author interview this month, I am fortunate enough to have snagged some of the valuable time of the charismatic Kimberly Richardson, my friend and the editor of the Cycle of Ages Saga. Let’s get down to business, Kim. I’m sure the readers out there are eager to learn more about you and your work.

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J:  Judging from our conversations and your stories, you have a vivid imagination. Where do you find the inspiration to fuel this creative fire and turn your wild ideas into amazing stories?

K:  I get inspiration by simply observing the world around me. The world is filled with magick and wonder; all one has to do is simply open your eyes. Even a simple conversation between two people in a coffee shop can inspire an awesome story – several of my stories began that way.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  You’ve reached some manner of acclaim in a short period of time as a professional writer. In fact, two of your novels were considered for the Pulitzer list a couple of years ago. Could you tell us more about that experience as well as your other accolades/honors?

K:  Being enlisted for the Pulitzer was quite a learning experience for me; it felt wonderful to know that my work stood a chance to receive such an honour. I do plan to enlist again very soon! I was also a finalist for several awards as well as edited several anthologies that later won awards through certain stories.

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J: Which of your fantastical tales has generated the most feedback from readers? What was their overall response to it?

K:  It is spread across the board; I get feedback from people about everything! Generally, the feedback has been great followed with questions of when my next work will be available. Either that, or they ask me if I’ve ever committed any of the “incidents” that are in my stories. I consider that to be a compliment.

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J:  What writers have influenced you the most? And which of their books are your favorites?

K:  That answer is very, very long but I will say that roughly 100+ writers have influenced me. The list of books is too long as well. I take little bits from those who inspire me and add it to my own mixture. The mixture is always changing and blending to whatever I’m either reading or writing.

J:  If you could talk to any of these writers, living or dead, who would it be, and what would you discuss?

K:  Actually, I really wouldn’t want to speak with any of them, strangely enough. They are in my mind in certain ways and for me to possibly speak with them might shatter that “image”. I know that sounds lame but it is the truth. Let them continue being that certain “thing” in my mind and I’m happy enough.

J:  Doesn’t sound strange to me at all. After having my own mental image of certain celebrities shattered by meeting them in person, I tend to avoid those who have had the deepest impact on me. Nice to know that I’m not the only one who would hate to be disappointed in the humanity of my heroes and idols.

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J:  In addition to writing, do you have any other hobbies or creative pursuits?

K:  Photography, tea blending, traveling, cooking, hiking, mycology, attending ballets, opera and the theatre in general, reading books (of course!).

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J:  Could you tell us more about your experiences as an editor for Dark Oak Press and others? Do you prefer to write your own material or help edit and shape the work of others?

K:  They are equal in my world. When I first began editing for Dark Oak, I wasn’t sure of what I was doing. After many bruises, scrapes, cuss words and failures later, I think I’ve gotten the hang of it. With regards to my work – I still enjoy it. That will never die even as I continue my work as an Editor.

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J:  As a writer and editor, what advice would you give to aspiring writers who want to become published professionals?

K:  Don’t stop, no matter what. I can’t get any more blunt than that.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  What project are you working on currently? Without spoiling anything, could you provide us with a snippet from it?

K:  As of now, I’m working through the second round of edits for my Southern Gothic novel, Open A. The novel is about a Memphian named Graydon Fayette who is also a world renowned violinist. He is also a member of a very old family that more than just dabbles in the dark side.

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J:  Do you have any new or upcoming releases that you’d like to promote here?

K:  Open A should be out next year if not sooner. Tales From a Goth Librarian II was released this past February. Both are/will be through Dark Oak Press. I also have a short story called “The Master of Tea” that will be released in Asian Pulp through Pro Se Press this year.

J:  Thanks for sharing, Kim. As always, it’s a pleasure to hear more about you and your passion for writing and editing, as well as your other creative pursuits. I wish you all the best on your upcoming releases. Maybe we’ll be seeing you on the Pulitzer list again soon.

Author Interview: The Magical Mindscape of J.L. Mulvihill

For our first author interview of the year, I have the privilege of probing the magical mindscape of J.L. Mulvihill, Southern Haunts editor and writer of fantasy, horror, steampunk, and more. She’s the author of poems, short stories, and several novels, including Lost Daughter of Easa, Boxcar Baby, and Crossings.

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Let’s start off with something basic but fundamental. How long have you been writing and what prompted you to go from amateur to professional?

Well, the funny thing is, I have been writing for as long as I can remember. I found an old journal of my mothers and there is an entry there that said “Today Jennifer made up her first poem, ‘light, light, burning bright’.” Okay so I didn’t actually write that, I was only two years old but I think if I could have written it I would have. We will just say I have been writing poetry and short stories as long as I have been able to write. I just saw it as a hobby and sometimes therapy. When I got into bands, I started writing song lyrics too. One day however, about eleven years ago, I had a strange nightmare about being chased through the woods by a giant spider. The dream would not leave my head but kept playing over and over until characters started emerging. I told my family about it and they encouraged me to write the story down. I did and the next thing I knew I had 180,000 words down on paper. What to do with that now I wondered. Well, that was when I started the long trek to getting the story published and it became my first novel, The Lost Daughter of Easa.

Frankly, I find that story fascinating and a bit terrifying. I’m a bit arachnophobia too, but it’s more of an irrational hatred toward them. Too quiet. Too many eyes and legs. Bleh. But you’ve just sold me on reading Lost Daughter now. It’s bound to be a fright-filled tale.

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Which writers have influenced you the most along the way?

I, of course, am a fan of J. R. R. Tolkien, C. S. Lewis, L. Frank Baum, Laura Ingalls Wilder, Lois Lenski, Robert A. Heinlein, Edgar Rice Burroughs, Ray Bradbury, Anne McCaffrey, Terry Brooks, Edgar Allan Poe, and Stephen King. I could probably go on for a while since I read a lot when I was a kid that was all I pretty much did was listen to music and read books.

Apparently, you forgot about Stan Lee. I dug up this picture of you and him together at Dragon*Con 2014. 😉

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Name five favorite novels that either influenced you or have simply stuck with you?

The Strawberry Girl – Lois Lenski;
The Hobbit – J. R. R. Tolkien;
Fahrenheit 451 – Ray Bradury;
Dragonflight – Anne McCaffrey;
Lost Horizon – James Hilton

The Hobbit and many works by Bradbury would be on my list as well. I can see a lot of Bradbury’s influence in the coming-of-age aspect of Boxcar Baby, especially focusing on a gritty, darker side of it.

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I know you field this question on a lot of writing panels. But I’ll ask it again here. Always leads us into the mind of the writer. Where have you found inspiration for your stories/books?

Inspiration for my stories and books come from my dreams, parts of my life, my children and family, the world and people around me. Sometimes it’s something I hear on the history channel or Discovery and then develops into an idea. Maybe an object I see in a shop or on the ground. I guess most of my ideas just come from the twisted world inside my head.

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You have worked as an editor on Seventh Star Press’s Southern Haunts series as well as authored several stories and books yourself. Which work do you find more fulfilling, writing and editing your own stories or editing, and shaping, those of others?

I think I prefer to work on my own stories because I feel like I am invading on peoples’ creativity when I edit. However, there is a certain satisfaction one can achieve when an anthology is created and finished. Especially when the idea of the anthology like Southern Haunts was something you helped come up with from the beginning.

I agree wholeheartedly there, Jen. I always feel intrusive if I’m doing more than proofing someone’s work. And even then, you can run into subjective disagreements about exposition, dialogue, and basic grammar. I’d rather be writing than editing anyday.

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Your young adult fantasy novel, The Lost Daughter of Easa, and The Steel Roots series, which I’d term as a steampunk fairy tale and coming-of-age story, are rich worlds with descriptions and characters that fill them out in great detail. From outside appearances, both seem to involve heavy world-building and a lot of planning and outlining.

Could you tell us about your creative process with these pieces, with a focus on these topics?

When people say heavy world building, I feel like I am cheating because those worlds are in my head; and, yes, I guess I did create them but to me it is not such a hard task as it sounds. For Lost Daughter of Easa, I literally have a tri-board with sticky notes on it with regards to characters, places and things. I actually do have an outline, in fact an entire book filled with notes about everything from mythological creatures to the string theory and traveling between worlds. I follow my outline, and when I come to a creature or object, I look it up or research for good measure. Here is the trick though; I have books for this series. A lot of people rely heavily on the internet; I have books of all sorts about giants, and fairies and elves and dragons. The only things I do not have books on are spiders, because I hate spiders, and I will not even have a book about them. I look those up at the library or, yes, the internet. Now as far as the world, like I said it is alive in my head, so I just close my eyes and can go there. I see all my scenes as if they are really happening before me.

The steampunk series is a little different. I did a lot of research both in books and online about the 1800s and the Victorian era as well as the revolutionary time period, workhouses, and factories. The cool thing about this story is that it is in America, not a fictional place. Although it is set in my alternate history, I can look up these towns and see what they used to look like and then describe them, maybe altering bits and pieces here and there. Some the Steel Roots series has elements from my childhood as well that I have incorporated in the story to make it real. For instance, the very first sentence is taken from when I lived with my grandparents. I would hear the train whistle every night and every morning far off in the distance, and it would comfort me. I, of course, do a fair bit of research about trains, hobos, and the like. I go to museums and take notes. I immerse myself in so much research that sometimes I forget I am supposed to be writing.

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How many installments will we see in The Steel Roots series? And will we see a sequel to Lost Daughter on the shelves this year?

Crossings, Book #2 of the Steel Roots series was just released in December of 2014. The publisher is expecting another one from me this year, so I guess there will only be three, though I dare say with so many characters afoot there could be some spin offs maybe, I am hopeful. As for the sequel to Lost Daughter of Easa, I cannot guarantee it will be out in 2015, but I can guarantee I will be done with the manuscript in 2015.

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What are you working on currently? And can you provide us with a snippet from it?

I am currently working on both the sequel to Lost Daughter and the next Steel Roots book, as for a snippet, let’s just say in Lost Daughter the dragons will awaken. As for Steel Roots, I can only tell you that it will be the greatest invention ever. Spoilers, Sweetie, spoilers.

As winsome and evasive as River Song herself, eh, Jen? I guess that’s part of the mysterious allure that keeps readers coming back for more. Frankly, I’m looking forward to continuing AB’Gale’s journey.

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What new creative works will you have hitting the shelves or the web in 2015?

I know that the Steel Roots sequel is slotted for release sometime in 2015, as for the rest we will just have to wait and see what 2015 has to bring.

One last question before we go, Jen. Where can we read more about you and your works? Do you have a writing blog or website(s) that you’d like to promote here?

You can find out more about me on www.elsielind.com or go to jlsbooks.blogspot.com/

You can also find out more about Authora and some poetry at the following link: http://home.comcast.net/~mulvijen/site/

Or catch me on my Facebook pages:

https://www.facebook.com/JLMulvihill

https://www.facebook.com/mulvijen?ref=hl

https://www.facebook.com/TheElsieLindSeries?ref=hl

https://www.facebook.com/SteelRootsSeries?ref=hl

Jen cosplaying The Spider Witch from Lost Daughter of Easa.

Jen cosplaying The Spider Witch from Lost Daughter of Easa.

Thanks for agreeing to the interview, Jen. It’s been great chatting with you again and letting our readers learn more about you and what you have planned for the new year. Wish you the best in 2015. Hope to see you back on the Southern Fandom Convention Circuit soon.

If you would like to meet J.L. Mulvihill in person and pick up a signed copy of one of her works, you can find her at the First Annual Dark Oak Press Book Signing at the Barnes & Noble in Ridgeland, Mississippi on January 24, 2015. Alexander S. Brown, Kalila Smith, Kimberly Richardson, and publisher Allan Gilbreath will be in attendance.

For more details, find the event on Facebook HERE.

Stay tuned to this blog for more interviews, announcements, updates, and more.

D. Alan Lewis & A Double Dose of Lycanthropy

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With the release of not one but two werewolf-themed anthologies from Dark Oak Press this week, I thought it expedient and enlightening to interview one of the people who made it possible. Author, editor, and good friend D. Alan Lewis has been sweating these two Luna’s Children collections since last year, working diligently to comb through the massive amount of submissions, select the best stories, and then edit them for publication. Though he has not been alone in this daunting task, his drive and dedication have made these anthologies possible.

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This is a glowing introduction and rightly so. But then again, I am clearly biased as Alan saw fit to anchor the first volume, Luna’s Children: Full Moon Mayhem, with my edgy, ultra-violent revenge fiction piece entitled “Beta Male, Alpha Wolf.” As editor, Alan also selected my Cycle of Ages Saga story about dwarves on a submarine powered by a dirty nuclear reactor for Capes & Clockwork, Dark Oak’s recent steampunk superhero anthology.

In addition to his duties as editor, technical writer, and father, D. Alan Lewis is a writer of some of the most imaginative fiction to make it onto my bookshelf. When I first met him at MidSouth Con in Memphis, this unassuming, quiet fellow with the wolfish baby blues sat behind a table with his first novel, Blood in Snowflake Garden. After reading the back cover, I took this absurdist Cold War-era noir tale of murder, mystery, and cupcakes at Santa’s North Pole home with me and enjoyed every page. You will never read another Christmas story like this one. Since then, he has written and published several pulp stories and a few novels. Of them, the gritty, unflinching supervillain tale, The Bishop of Port Victoria, is another favorite. Of course, I could go on and on about telling you about this talented technical writer turned genre author and editor; instead, I’ll let him tell you about himself, his influences, and his projects.

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Q. As writers, we all come from different backgrounds and found our way to this profession in our own way. How did you make the transition from amateur to professional writer? When?

A. I grew up telling stories, some for honorable purposes and some not. As a teen and young adult, I got into roleplaying games and usually ended up running the games, since my friends loved the stories I’d weave for them. I’d toyed with writing for many years, but never got started. This was partly due to procrastination and partly due to a lack of support from family and friends. After my last divorce, I decided to jump in to the writing world with both feet. I hooked up with a writer’s group in Nashville and with their support, I managed to finish my first novel.

From there, it became a matter of networking. I’d been going to SF&F conventions for years, so I started talking to authors and publishers who attend. Those contacts lead to multiple book and story deals. And that leads to the latest work, the 2 Luna’s Children books.

Q. What genre(s) do you write? And do you prefer writing short stories, novellas, or novels? Why?

A. I’m a bit of a writing slut. I write a little bit of everything in all kinds of lengths. I have 3 novels out at the moment; a murder mystery, a pulp/noir tale, and a steampunk adventure. As for short stories, I have steampunk, pulp/noir, superhero tales, horror, and vampire & werewolf stories, and straight-up Sci-Fi.

I don’t have a preference about the length, as long as I have enough room to tell the story that I’m trying to convey.

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Q. What writer(s) has/have influenced your writing the most? How have they influenced you?

A. Douglas Adams has always been a favorite and a major influence. His works were so ‘over the edge’ at times and I loved that. While I didn’t want to be his clone, I did want to write like him. Early on, all my stories were developed as comedies, but I didn’t feel that I could match his level of craftsmanship. And as I worked, I found that my skills were more along a darker path of storytelling. 

Q. Is there a work of fiction that you keep coming back to, one that you read over and over again? If so, why?

A. Douglas Adam’s ‘The Long Dark Tea Time of the Soul’. I just love it.

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Q. As a writer, are there common themes or topics that you like to explore?

A. I love surprise twists, so everything I write has something in it that I hope will catch the reader off guard. I also love having tortured, troubled characters. As far as topics, I don’t have anything that I include in every story.

Q. As an editor, where do you find the time and patience to edit something as daunting as an anthology?

A. Patience is needed in ample amounts, some of the time. It never fails to amaze me that some authors will send in a story riddled with errors, but if an editor misses one and it gets in the final product, those same authors will throw a fit.

 As the first reader, I look for a story first. Does it fit a need that my anthology needs? If so, then I look at the errors. If there are too many, I send them back to the authors and explain what mistakes I’m seeing and ask them to rewrite it. Then, once it comes back, I get to work. With Luna’s Children, there were so many stories that I had a team of editors helping me with all the stories, making sure that I didn’t miss anything. 

With Capes & Clockwork, I was dealing with mostly established writers who knew their craft. I also had only 16 stories to deal with, so that anthology fell into place quickly and efficiently. The Luna’s Children books were the complete opposite. While there were a number of talented writes, there are a lot of first-timers. Still, many of those first-timers were giving me great stories, underneath all the mistakes. Luna’s Children includes 43 stories in the 2 volumes, which were drawn out of over a 150 submissions.

 Needless to say, the werewolf stories took much longer to weed through, edit and put together.

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Q. What special challenges do you face in editing an anthology versus a novel?

A. An anthology is a collection of stories from OTHER people. These are not my stories, so I can read it as an outsider and can spot problems and issues. When I edit my own stuff, I have to try and remember not to read it as the writer but as an outsider. While in my mind, I know how a scene is playing out in the words. But as the reader, is that scene playing out in the same way? Sometimes as a writer, you can’t see the obvious mistakes since you’re too close to the story. 

Q. What can you tell us about your newest releases, the two volumes of Dark Oak Press’s werewolf-themed Luna’s Children anthologies? And where can readers find it?

A. Luna’s Children: Full Moon Mayhem and Luna’s Children: Stranger Worlds is now available on Amazon Kindle and will soon be available in print and other ebook versions. All will be available at your local and online book retailers. 

Full Moon Mayhem contains 22 stories that are more based in the real world. While, the 21 stories in Stranger Worlds takes the werewolf genre into new worlds, other times, different realities.

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Q. Now that these collections are finally being released, what will you be working on next?

A. Currently, I am working on the submissions for Capes & Clockwork 2, which is an anthology of Steampunk’d superhero stories. The first volume came out early this year and was such a hit that the second book was green lit immediately.

In addition to that, I’m working on short stories for the upcoming ‘Black Pulp 2’ and ‘High Adventure History 2’, both from Pro Se Productions. I’m also outlining an untitled Steampunk/Noir detective story that I hope to have out by year’s end. In the long term planning, are the next books in the Hawke Girls and the Snowflake Garden series.

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Q. Finally, where can we find out more about you and your other works of fiction?

A.  My website/blog is:  www.dalanlewis.com

      I am on twitter:  @Dalanlewis

      I’m on Facebook:  http://www.facebook.com/AuthorD.AlanLewis

     And I have an author page on Amazon:  http://www.amazon.com/D.-Alan-Lewis/e/B006DA9P2U/ref=sr_ntt_srch_lnk_2?qid=1331611519&sr=8-2

 

Thanks for sitting with us for the interview today, Alan. Good luck on your future projects and upcoming appearances. In the proud tradition of tired werewolf cliches, I hope you have a howling good time. 😉

 

 

 

Writing Process Blog Tour: Jeremy’s Entry

I’m not much of a blogger or self-promoter for that matter. I find it easier and derive more joy from promoting the works of others. That being said, I was talked into participating in a blog tour about the writing processes of different authors. I tend to field similar questions at conventions or whenever someone finds out I’m a writer.

Before we get into the question-and-answer portion, I would like to thank A.G. Porter, the talented, alluring author of The Darkness Trilogy, a series of YA Paranormal Thrillers. She brought me onto the tour.

Amanda Porter

You can find out more about her and her works at the following links:

http://agporter.wordpress.com/
https://www.facebook.com/TDTAGP

In this installment of the Writing Process Blog Tour, you’re getting a sneak peak into the world of a writer who likes to write horror, fantasy, and speculative fiction. Namely, me! Good luck! Hope you come out with as many sanity points as you had going into this blog. If you don’t blame A.G., not me. 3:)~

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What am I working on?

At the moment, I am working on a number of short submission projects for various anthologies with a few different publishers. I finished the rough draft of a submission for Chaosium’s The Summer of Lovecraft anthology, which features Cthulhu Mythos stories set in the 1960s. However, I ran long, so I had to edit it down a couple of thousand words before the deadline. Thankfully, several beta readers helped me through that difficult process. I’m in the planning stages for a hardboiled detective short story for Dark Oak Press. And have a couple of other short stories in various stages of completion for upcoming Pro Se Press projects.

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How does my work differ from others of its genre?

Hmm…good question. I’m assuming that other people are being read more than me. My career as a professional fiction writer is just getting started, so I’m working on developing my style, playing with characters and different narrator voices, and experimenting with different genres. In doing so, I produced a truly unique piece of steampunk fiction set on our fantasy world of Faltyr. It’s a story about dwarves on a submarine deep within the abyssal seas contained within the planet. I tried to handle the steam technology in a different way and fused much of it with our Aethyr magic system.

Why do I write what I do?

Various reasons. It depends on what I’m writing actually. I’ve written stories to expression emotions, viewpoints, beliefs, conflicts, or tackle touchy or controversial subjects. I’ve written strictly to entertain and have fun with it too. So, what I’m writing at the time is really influenced by my mood and what scenes my imagination station is developing at the time. However, most of my work tends to be darker, grittier pieces as I tend to have a very pragmatic outlook on many subjects and have highly critical viewpoints on other topics. I also tend to live by the phrase: hope for the best; prepare for the worst. So, that mindset tends to influence the tone of a lot of my work. And then there’s the revenge fiction. Muwahahaha! One of those will be coming soon in Dark Oak Press’s werewolf anthology, Luna’s Children: Full Moon Mayhem.

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How does my writing process work?

Well, first there’s the concept or initial idea. Followed by a flurry of activity, which is mostly planning and research. Then there’s the procrastination. And the hem-hawing, the paralysis-by-analysis, and finally some forward progression. More procrastination aids in the percolation process for imagination station. Occasionally, there’s some advice from outside sources along the way. Then I wrestle with Act II. Hate myself and my writing. Procrastinate some more. Get frustrated. Maybe have a smoke to relax and then go back to writing. Finish the third act, usually well above the anticipated word count and then move onto editing. But not before I criticize, procrastinate, and proofread. After I’m done editing, some other poor bastard beta-reads it and then unloads on me with both barrels. I fume. Mostly, I think things like: Why does everyone hate adverbs anyway? And adjectives, don’t I need those? I sulk and then procrastinate. Then I edit some more. Eventually, it goes to a professional editor before coming back to me. We send it back and forth like a game of pong, only less fun, until the publisher is happy. Some months down the road a check shows up in my mailbox or I get some free copies or both. And there you have it. The guide to being a very poor professional writer.

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Well, there you go, kiddies. That’s how the magic happens, from its origins in imagination station to publication. If you feel enlightened and/or educated, I have succeeded. If you feel slightly traumatized, I have succeeded better than I could have possibly imagined. If you have any other questions about the writing process or need help with yours, feel free to look me up on social media or chat with me at a convention or booksigning.

In the meantime, check out my newest release, a Pro Se Digital Single Shot entitled “The Savior of Istara”, another standalone tale from The Cycle of Ages Saga. It’s only 99 CENTS on Kindle and Smashwords. Click the picture below to purchase it through Amazon.

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As part of this Writing Process Blog Tour, I am supposed to tag three more people with this blog and provide links to their material. Coming up on this blog tour, you can look forward to the following authors:

HC Playa:

HC Playa

HC Playa is a writer, a mad scientist in training (translation: full –time graduate student), a mother of three, and an animal wrangler. Although, some days she wonders if maybe she’s the one being wrangled.
An avid reader since the precocious age of four, she devoured books from numerous genres, but science fiction and fantasy hold a special place in her heart. A rambling, late night phone conversation with her sister sparked an idea, which led to discovering a new passion. Bitten by the writing bug, at last count she had seven novels in various stages of completion, and a growing collection of short stories.

Her favorite activity is to play in fantastical worlds, as it’s the best adventure there is.

https://www.facebook.com/HCPlaya
https://hcplaya.wordpress.com/

John McColley:

John McColley

John A. McColley lives in a vortex of worlds, characters, machines and language, constantly dragging images and forms out of the storm onto canvas, paper or computer screen to share them with others and give them new life. When not wrestling with words, he cranks dials and makes sparks at his local hackerspaces and searches the wilds of New England for semi-precious stones with his wife and son. His work is currently available in Crossed Genres’ first issue of the year, various anthologies, including the first Capes and Clockwork, and at Mad Scientist Journal.

John has an author page of Facebook http://www.facebook.com/pages/John-A-McColley/105420682981117 a twitter account @JohnAMcColley and a blog http://johnamccolley.wordpress.com/ that he’d love for you to visit.

J.H. Fleming

JH Fleming

J. H. Fleming is the author of the upcoming Lifting the Veil: Tales of Discovery and Magic. Her work has been published by Visionary Tongue Magazine, Evil Girlfriend Media, Mocha Memoirs Press, and Seventh Star Press. She writes fantasy that isn’t afraid venture into the shadows. When she isn’t writing, you can usually find her with her nose in a book, or possibly playing a video game or watching anime. J. H. lives in Arkansas with a Yorkie, a cat, two turtles, and her Asian American friend with a voice to rival an anime character’s.

http://www.someplacetobeflying.com/apps/blog/someplacetobeflying.com