From the Slushpile: The Devil & Klaus Kristiansen (Part 2)

Author’s Note: I will post all six parts before Halloween weekend. So stay tuned for one helluva horror story.

Part Two

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As it turned out, the Hell portrayed in Turtle’s dreams looked like the byproduct of a collegiate man-child steeped in pop culture, rock music, and a lot of hallucinogens. AC/DC’s “Highway to Hell” blared from the speakers of an unseen jukebox as we strode through the grandiose double doors of the antebellum home turned satanic frat house. Thick tendrils of smoke or fog curled around our feet as we moved through the riotous throng packed into the entry hall.  Over the doors, a tooled wood sign read:  Abandon All Inhibitions Ye Who Enter Here.

Faces of friends and enemies mixed with those of fiends. Together they capered wildly, spastically to the power chords of rock ‘n roll’s finest. I felt overwhelmed, my senses assaulted by the cacophony.

I turned back toward the doors, but there was nowhere to go. No moon, no stars shined in the night sky. The mist covered the parking lot like a blanket. The strange orange hue of the street lights obscured all but the house and its adjacent grounds.

“What the hell, Turtle?” Klaus demanded, seizing our friend by the collar of his faded Wolverine tee and wresting my attention from the dreamscape outside the house.

“Exactly!” Turtle answered. “What version of hell is this? Mine? Or one of yours? Because I didn’t have this nightmare until after I’d met both of you. And each of you is in the dream. But whose hell is this? Because you’re both there every time it happens.”

“Every time what happens?” I inquired, my sense of dread growing.

“You’ll see.” Turtle’s mercurial smile made me want to smash his remaining teeth out of his skull. “There’s still time yet. Until then enjoy the party.”

The Turtle danced, if you could call it that, his way through the crowd of raucous revelers. Klaus and I stuck close to our friend unsure what would happen if we became separated in his deranged dreamscape. A thousand vices and temptations surrounded us at every turn. I saw the things we normally enjoyed, but also mirrors piled high with white powder, stripped and ready pain-sluts of the barely legal variety, and a hundred other deviances ranging from the laughable to the unforgiveable.

Either Turtle the Video Game Virgin knew how to party harder than anyone had suspected or he’d tapped into some primal part of our brains…but which one of us. Perhaps he’d perceived repressed kinks, vices, and other socially unacceptable behaviors present in one or even both of us.  That possibility disturbed me, but little of what I saw scared the hell out of me. I did have a slight problem with the horned thing corn-holing our school mascot over the side of a sofa. And the sight of a sadistic bastard licking blood from the blade he’d used to slice spirals into the tender flesh of a pretty co-ed sickened me to the core.

Surely, none of this could be real. Even if it was a collective dream, some twisted, hedonistic manifestation of the universal unconsciousness, it was still a dream. I comforted myself with that fiction, ignorant of how wrong I was about our situation.

Turtle glanced behind him to make sure we were close on his heels and then mounted the grand staircase that dominated the entrance hallway to the mansion. A throng of partiers clustered on the winding stairs enjoying a wide array of pleasures. As I passed a diminutive woman bent over the sturdy railing, one of the two men penetrating her stopped long enough to ask me to join their public perversion.

Blushing crimson, I declined and hurried after Klaus and Turtle. As a virginal teenager, I felt overwhelmed by the sensational sins being committed all around me. My brain ached inside my skull, and my manhood throbbed in the confines of my jeans. I retreated inside myself as I tried to deal with all of the conflicting emotions in between.

Was this place hell? Or was it Turtle’s version of a wet dream? Or worse yet, one of mine or Klaus’s somnolent fantasies?

Although everything I’d seen at the party appeared deviant when compared to conventional social mores of the day, little of it seemed dangerous. Unless our creator considered anything visceral and enjoyable to be a sin. And I didn’t subscribe to that narrow-minded, puritanical view then…or now for that matter. I’d yet to see anything nefarious, much less hellish…unless one counted the pounding, repetitive electronica that had replaced legends of hard rock and heavy metal to become our new soundtrack.

The festivities on the second floor felt more like a rave than the festivities enjoyed by the Goth/Metal crowd on the ground level of the unnamed fraternity house. So in my mind, the party became annoying instead of more infernal, despite the horned humanoids twirling glow-sticks about their scaly bodies. If you’ve seen one dancing Sleestak with a glow-stick, you’ve seen them all. And raving demons were not my idea of hell; they were my idea of a bad pun.

“This has to be the lamest layer of all the hells in the multiverse,” I commented.

“Agreed,” Klaus seconded. “Hard drugs, kinky sex, and canned music doesn’t make it hell. It makes it a college party. The textbook definition of one as a matter of fact. I’ve seen scarier stuff at a Senate hearing on CSPAN.”

Klaus and I chuckled, but Turtle didn’t appear amused. Instead he looked at us as if we were stupid. But we weren’t; we were ignorant, cocky know-it-alls, like so many narcissistic nineteen-year-old nerds. In fact, without our narcissistic, nerdy traits, Klaus and I would have become enemies long before the events to come made it so.

Concern coloring his chiseled face, Turtle told us, “Dreams, like anything, exist according to certain rules. And one of those is the interconnectedness of all things, all places, all times. Dreams are the nexuses, the cruxes upon which the entire fabric of creation is built.

“After all, what are we but a collective realization of a universal dream. Somewhere, someplace, sometime, everything around us was dreamed into being by someone or something. As surely as we see this dream now, our creator pictured the dream that became our waking universe in its mind’s eye.

“And if dreams can show us a version of heaven that a sleeper can craft into reality upon awakening, a nightmare can become a living hell. That’s what I’m about to show you, the difference between dreams and nightmares, between heaven and hell.”

We turned down another corridor, and the scene around us shifted for the third time. As we entered this wing of the house, the furniture and the décor took on a style incongruent with the rest of the interior. I turned to pass my observation on to Klaus, but he’d fallen behind. In fact, he stood transfixed, his hollow eyes riveted on the lone door at the end of the long hallway.

“Are you okay?” I asked, knowing the answer already. My friend had grown as pale as a Hollywood vampire. Tears touched the corners of his eyes, a sight none of us had seen before…or since.

“But it can’t be,” Klaus muttered.

“What can’t it be?” Turtle inquired, joining us in the middle of the empty hall.

“I’ve seen this before,” Klaus replied. “All of it. I didn’t remember until I saw that door. That damn door and the horror that lurks beyond it have haunted me for years. But it can’t be. It’s just a dream.”

“Yes,” Turtle said, tapping Klaus in the center of his forehead. “It’s all here. Or we’re all there rather. Thanks to a little family tradition passed down through my mom’s side of the family. My gypsy blood produces a fair number of psychics, mediums, touch telepaths, and empaths.”

“And here I thought gypsies were alcoholics and kleptomaniacs,” Klaus joked.

“You forgot con artists,” I added, knowing in my heart what Turtle said to be true. But I wasn’t ready to accept it then. It took the unnatural shocks that came after for me to accept the paranormal as my new norm.

“I never thought I’d live long enough to admit it,” Klaus said, wiping his eyes, “but Turtle might be right. I’ve seen this house before; I’ve opened that door before. Countless times. And it never ends well.”

“What do you mean it doesn’t end well?” I asked, dreading the response.

Locking eyes with me, Klaus pleaded, “I wanna go home now. I don’t wanna live through this nightmare again. This might not be your idea of hell, but there’s a devil behind that door. A devil and a dead girl.”

“A dead girl?” I asked, bewildered by Klaus’s revelation. Glancing at my other friend, I saw that Turtle appeared calm, cool, and collected, the exact opposite of his waking demeanor.

“Well, she’s not dead yet…” Turtle said, “…not this go round anyway.”

A shrill squeal pierced the door, echoing down the hall. The cry of a damsel in distress, even a dream one, called out to my primal, protective nature. I charged the door while Klaus beat feet toward the stairs. Turtle lingered in between, unsure who to follow.

The locked door didn’t stop me long. Throwing my considerable girth against it, I overpowered the frame itself. As it separated from the wall with a sickening CRACK, I backed away and kicked outward. My big boot finished the work my sore shoulder started. The defeated door hung ajar from its ruined frame, orange light spilling into the hall from around its seams.

Shadows flitted in and out of the light in the room beyond the door. Throwing caution to an ill wind, I rushed through the doorway and into a blood-splattered bedroom. The room’s white interior had turned to crimson thanks to its two maddening occupants.

A shadowy figure perched on the center of a brass canopy bed; in its sizeable paws, the beast held the still beating heart of its victim, the nearly dead girl. The angel in alabaster lay sprawled on the mattress, wearing the remnants of a lacy summer dress. In the wan light cast by the street lights, her auburn curls took on the same shade as the gory fluids oozing from her savaged bosom. Only one perfect pale breast remained intact; its twin destroyed when the devil had ripped out her heart. The dying girl whimpered as yet unaware of her own demise. When her emerald eyes locked on her stolen heart, she wept a final tear.

*** Part 3 Coming Soon ***

This story was written by Jeremy Hicks. It is his original content and cannot be used anywhere else without his expressed written consent. However, this blog may be shared, reblogged, etc. on social media for the purposes of promoting the author, his blog, and his other creative works. 

Any resemblance to persons living or dead, events real or imagined, etc. is entirely intentional. This is a work of fiction but draws on real events and references the real world at times. Any reference, product placement, or pop culture quote is not intended to impinge on any trademark, patent, and/or copyright; rather it is flavor text for the dialogue of characters raised within the context of our pop culture.

 If you don’t like these terms of agreement, go check yourself. You’re complaining about a #FREE story.

Also, if I’ve let you read this story in the past, please do not post spoilers in the comments here or on any of my social media. Thanks!

Author Interview: The Charismatic Kimberly Richardson

For my final author interview this month, I am fortunate enough to have snagged some of the valuable time of the charismatic Kimberly Richardson, my friend and the editor of the Cycle of Ages Saga. Let’s get down to business, Kim. I’m sure the readers out there are eager to learn more about you and your work.

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J:  Judging from our conversations and your stories, you have a vivid imagination. Where do you find the inspiration to fuel this creative fire and turn your wild ideas into amazing stories?

K:  I get inspiration by simply observing the world around me. The world is filled with magick and wonder; all one has to do is simply open your eyes. Even a simple conversation between two people in a coffee shop can inspire an awesome story – several of my stories began that way.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  You’ve reached some manner of acclaim in a short period of time as a professional writer. In fact, two of your novels were considered for the Pulitzer list a couple of years ago. Could you tell us more about that experience as well as your other accolades/honors?

K:  Being enlisted for the Pulitzer was quite a learning experience for me; it felt wonderful to know that my work stood a chance to receive such an honour. I do plan to enlist again very soon! I was also a finalist for several awards as well as edited several anthologies that later won awards through certain stories.

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J: Which of your fantastical tales has generated the most feedback from readers? What was their overall response to it?

K:  It is spread across the board; I get feedback from people about everything! Generally, the feedback has been great followed with questions of when my next work will be available. Either that, or they ask me if I’ve ever committed any of the “incidents” that are in my stories. I consider that to be a compliment.

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J:  What writers have influenced you the most? And which of their books are your favorites?

K:  That answer is very, very long but I will say that roughly 100+ writers have influenced me. The list of books is too long as well. I take little bits from those who inspire me and add it to my own mixture. The mixture is always changing and blending to whatever I’m either reading or writing.

J:  If you could talk to any of these writers, living or dead, who would it be, and what would you discuss?

K:  Actually, I really wouldn’t want to speak with any of them, strangely enough. They are in my mind in certain ways and for me to possibly speak with them might shatter that “image”. I know that sounds lame but it is the truth. Let them continue being that certain “thing” in my mind and I’m happy enough.

J:  Doesn’t sound strange to me at all. After having my own mental image of certain celebrities shattered by meeting them in person, I tend to avoid those who have had the deepest impact on me. Nice to know that I’m not the only one who would hate to be disappointed in the humanity of my heroes and idols.

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J:  In addition to writing, do you have any other hobbies or creative pursuits?

K:  Photography, tea blending, traveling, cooking, hiking, mycology, attending ballets, opera and the theatre in general, reading books (of course!).

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J:  Could you tell us more about your experiences as an editor for Dark Oak Press and others? Do you prefer to write your own material or help edit and shape the work of others?

K:  They are equal in my world. When I first began editing for Dark Oak, I wasn’t sure of what I was doing. After many bruises, scrapes, cuss words and failures later, I think I’ve gotten the hang of it. With regards to my work – I still enjoy it. That will never die even as I continue my work as an Editor.

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J:  As a writer and editor, what advice would you give to aspiring writers who want to become published professionals?

K:  Don’t stop, no matter what. I can’t get any more blunt than that.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  What project are you working on currently? Without spoiling anything, could you provide us with a snippet from it?

K:  As of now, I’m working through the second round of edits for my Southern Gothic novel, Open A. The novel is about a Memphian named Graydon Fayette who is also a world renowned violinist. He is also a member of a very old family that more than just dabbles in the dark side.

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J:  Do you have any new or upcoming releases that you’d like to promote here?

K:  Open A should be out next year if not sooner. Tales From a Goth Librarian II was released this past February. Both are/will be through Dark Oak Press. I also have a short story called “The Master of Tea” that will be released in Asian Pulp through Pro Se Press this year.

J:  Thanks for sharing, Kim. As always, it’s a pleasure to hear more about you and your passion for writing and editing, as well as your other creative pursuits. I wish you all the best on your upcoming releases. Maybe we’ll be seeing you on the Pulitzer list again soon.

A Happening Halloween with Rachael Hill

As I prepare for Halloween this year, I am excited to report those plans include spending the weekend at HallowCon with some of my favorite creative minds in the Southeast. To add to the excitement, I had the special pleasure of interviewing one of them beforehand. As imaginative and talented as she is pale and lovely, my friend Rachael Hill is the subject of today’s interview. Rachael is the author of Cuisine from Beyond, a professional photographer, experienced welder, culinary artist, and much more, as you’ll find out during the course of our interview.

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You’ve been called the Gothic Rachel Ray. Could you tell us about the book that spawned this apt description?

The book, Cuisine from Beyond, is a horror-themed cookbook inspired by H.P. Lovecraft and the Cthulhu Mythos as a whole. I’ve always wanted to write a cookbook, but I didn’t want it to look like every other cookbook out there. I had to stand out and reflect my vision.

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If your vision included a visual feast for the eyes, I’d say you succeeded beyond your wildest expectations. Did you do all of the design work on your own or did you have help in putting it together?

I knew exactly what I wanted the cover and pages to look like. I just had to have help getting the images out of my head onto the pages. Mark Helwig did the cover art. He was somehow able to bring my idea of Chef Cthulhu to life. He is really brilliant at that. And as far as the rest of the design work, it was collaboration between me and the publisher. I’m sure I was quite the diva about it.

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How much experimentation did you do with the recipes beforehand? And have you gotten any feedback from people who have prepared your recipes?

Some of the recipes are recipes that I make often. But there are some that honestly had zero experimentation. I would literally have an idea, sometimes while in the grocery store, and roll with it. Sometimes it worked out and ended up in the book. Actually, it worked a lot of the time.

As far as feedback, yes, I’ve had several people contact me about cooking recipes from the book and that they loved them. A good bit of the feedback is about how easy the recipes are to follow. I also know of at least 2 people that have made every recipe from the book.

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How long have you been cooking creatively? And do you have any particular culinary mentors or other sources of inspiration?

I’ve been cooking for as long as I can remember. I don’t necessarily have any culinary mentors, but I grew up living next door to my grandparents and my grandmother was always cooking something. I can remember pulling a chair next to her and helping. She would make jellies and jams, from fruits her and my grandfather grew. I still make jams and jellies to this day. So, I suppose keeping those skills and memories alive is my inspiration.

Moon photograph taken by Rachael Hill

Moon photograph taken by Rachael Hill

In addition to your culinary and literary endeavors, you’re also a brilliant photographer, capturing everything from American bands to individual snowflakes to the icy rings of Saturn. And from what I understand you also set up most of the shots in your vaunted cookbook. How long have you been a photographer? And what are your favorite subjects/themes to explore?

Haha, I wouldn’t say brilliant. When I started the book, I was also learning about photography, so in the beginning I didn’t know too much. By the end of the book, I was MegaDiva about the shots. But, all photos were collaboration between me and Kevin and Joe. We all three put our heads together to make these shots beautiful.

I’ve only been a photographer for 4 years. I started in 2010 and it just took off.
My favorite subject by far to shoot is live music. I also love macro photography and astrophotography. My main goal with every photo I take is to capture feeling and emotion, not just an image.

Frozen bubble. Photograph taken by Rachael Hill.

Frozen bubble. Photograph taken by Rachael Hill.

A true Renaissance woman, you are also a painter. How would you describe your style and process? Do you have particular themes that you like to explore using paint and canvas?

I don’t consider myself a painter, at all. I know way too many artists that are brilliant at what they do, and to call myself an artist or painter is just nuts. But, I do, on occasion throw paint at canvas. I call it fast and messy art. Haha. There generally isn’t a theme. I guess whatever mood I’m in at the time reflects how I paint.

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Speaking of colorful canvases, like me, you’re a fan of ink and seem to find comfort under the needle. How many tattoos do you have so far? What are they? And what’s next?

Yes, I love being under those needles. I call it “tattoo therapy”. I only have like 8 tattoos. The number isn’t big, but the sizes of the tattoos are. I have a sleeve on my left arm. An original voodoo inspired artwork on my right forearm. A skull/flower piece on my chest. A demon hand ripping out of me on my left ribcage and the words “Somethings are Beyond Therapy” and the Ludovico Technique logo (the band that the quote came from) on my left ribcage that looks carved into my skin. Ummm.. a outline of a shark on my right ankle and a Winnie the Pooh on my left calf. Yes…a Winnie the Pooh.. don’t judge. Then there a few tribal tats here and there.

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What’s next.. hummm.. let’s see. There is a story behind the demon hand and the lyric carved into my side. Basically, in a nutshell, most people try to get rid of their inner demon. I embrace mine. I’ve also discovered the whole Supernatural fandom. So, I’m thinking my next tattoos will be something Supernatural-related that also ties with the whole “keeping my demon in” theme.

Andy Deane from Bella Morte at RavenCon. Photograph by Rachael Hill.

Andy Deane from Bella Morte at RavenCon. Photograph by Rachael Hill.

I like to ask a variation of this question of my interview subjects. If you could party with any creative type, living or dead, who would it be, and what would you drink and discuss?

This is such a hard question. I am so lucky to be able to know and hang out with so many creative types already. And I’m friends with someone that has inspired me so much already and that is Andy Deane of the band Bella Morte. I don’t really have an author that inspired me want to write or an artist that inspired me to create. So, after days of consideration, here is my answer. I pull a lot of inspiration from music, which is weird because I’m not a musician. And I’m not much of a partier or drinker, so I would probably just want to hang out and chill. But as far as a dead creative person, I’d say Peter Steele from Type O Negative. No idea what we’d drink, or discuss, but I “found my goth” by listening to Type O Negative. But the living person is someone that I’ve not actually physically spoken to and that would be Ben V. from Ludovico Technique. His music and lyrics have had such a huge impact on me personally. I’d drink Red Bull and water. I think I’d tell him how his words have helped me through some rough times, and then maybe we’d get out the telescopes and do some astrophotography. And now that I’ve went total fan girl and made a fool of myself, next question please.

Ben V. from the Ludovic Technique. Photograph & Jack-o-lantern by Rachael Hill

Ben V. from the Ludovic Technique. Photograph & Jack-o-lantern by Rachael Hill

Most people probably do not realize this, but the Gothic Rachel Ray is also a world-class industrial welder. Have you ever applied your skills with a welder or blowtorch to an industrial, metalwork, or steampunk-themed project? And if you have yet to do so, why in Dio’s name not?

Well, welding is my full time job. I’ve been welding for 19 years. And while I’m decent at it, I do not want to do it outside of my job. I’ve never applied my skills to any art or metalwork. And as far as a steampunk-themed project? I am going to make a few enemies here, but, you will NEVER see me do anything steampunk-themed. I am not a fan of steampunk at all. The only steampunk thing I even remotely like is the band Abney Park, outside of that, nope, no steampunk in my future.

Lemur Zombie. Photograph taken by Rachael Hill.

Lemur Zombie. Photograph taken by Rachael Hill.

What creative project are you working on currently?

Currently, I’m trying to get back into the artistic side of photography. I got so busy doing portraits and weddings that I lost that side of photography. I would only pick up my camera if I had to. I’m also working on releasing a small magazine/digest version of my book with all new recipes. And I am working on starting my blog back up, though I’ve really dropped the ball on that.

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Last but not least, when and where will you be making your next public appearance?

My next public appearance has yet to be determined. I will be attending HallowCon (in Dalton, GA) on Halloween weekend. There will be a table there with my books for sale.

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Thanks for taking the time to answer a few questions about yourself. I know you prefer the darkness and behind humble, so I appreciate you letting me sing your praises and shine some light on you and your various creative pursuits. As always, talking with you has been a pleasure. I look forward to the sequel to Cuisine from Beyond almost as much as I look forward to hanging out with you at HallowCon once again.

To find out more about Rachael Hill Photography, check out her page on Facebook here:

https://www.facebook.com/Rachael.Hill.Photography

You can follow Rachael Hill on Flickr at the following URL:

http://www.flickr.com/rdhill

To purchase Cuisine from Beyond on Amazon, click the following URL:

http://www.amazon.com/Cuisine-Beyond-Rachael-D-Hill/dp/0977043789

For more information about HallowCon, click on the picture below:

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Author Interview: Logan Masterson and the Denizens of Ravencroft Springs

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Little did our subject, author/editor/artisan Logan L. Masterson, realize that he’d become the topic of the afternoon, even before arriving for his interview. During our usual ritual of in depth conversation over the chaos of Call of Duty, my brother Joshua and I had been discussing our own personal experiences with the weird and wild denizens of Ravencroft Springs. This fictional town, the epicenter of Masterson’s novella of the same name, recently released by Pro Se Press, hit close to home for us.

My brother and I grew up on a farm on the edge of a creepy little town nestled in the foothills of the Appalachians, one caught in a cycle of crime, grime, and decay similar to Masterson’s Ravencroft Springs. There are even mysterious murders, missing persons, and mouldering rows of millhouses. As a result, the old mining town portrayed in Masterson’s novella came alive for us. It easily becomes a believable centerpiece for the grim events that unfold in this brief, fast-moving tale of unlikely lovers doomed by abyssal, otherworldly creatures and their murderous cultists, common enough tropes in Lovecraftian horror that are utilized quite well in this Southern gothic story.

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With Masterson’s easy, flowing prose and the conversational tone of its narrator, Ravencroft Springs feels like an even faster read, which is a shame, because it left us wanting more. More of the smart, determined protagonist. More of the deranged, deformed townies. And more beings from the Cthulhu Mythos. So, you can bet we hope to read more tales of terror set in Ravencroft Springs soon. We’re sure that you will too after reading it.

As for its creator, I met Logan Masterson after he edited my short story submission for Capes and Clockwork, a Dark Oak Press anthology featuring stories about superheroes in the age of steam. He is also the author of one of the entries in this collection of steampunk superhero stories. Mr. Masterson also served as editor on the Pulpology anthology; however, he was not one of the contributors for that collection. After nearly a year on the hectic convention circuit and working on our individual projects, I finally had a chance to sit Logan down and ask him about his writing, editing, and other projects. Let’s hope you enjoy his answers as much as I did.

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How long have you been writing fiction? And what genre(s) do you prefer?

I’ve been writing fiction formally since I was a teenager, some twenty-five years ago. I took it up seriously, along with poetry, way back in high school. There was a long hiatus there, but I’m back in the saddle and giving it a real go now.

I love all the speculative genres, but my real calling is probably fantasy. I love world-building and epic adventure so very much that anything else I write becomes fantasy in some sense anyway.

When writing fiction, do you prefer short stories, novellas, or novels? Why?

The novella is probably the perfect form for me. Its length allows for plenty of development and a subplot or two without begging for filler. Writing short stories is really rough, especially at the common 7,000 word limit. Novels are also difficult, since they demand a tremendous amount of content that must be lovingly curated. The fantasy novel is even tougher: it’s easy to fill a book with unnecessary background, action and detail.

What writer(s) has/have influenced your writing the most?

If I had to pick a handful, they would be Tolkien, Dickens, Raymond E. Feist, Neil Gaiman, and lately Alex Bledsoe, especially his Tufa novels.

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As a writer, are there common themes or tropes that you prefer to use in your work?

The tropes really depend on the genre, but the themes are pretty much the same throughout. Humanity is my theme. The strengths and weaknesses that make us what we are: love, hate, tradition, fear; these are the internals. Externally, humanity is culture, war, greed, nobility, and a thousand more facets of a great dusky jewel.

Where do you find inspiration for your writing?

Inspiration is everywhere. Everywhere! I find ideas in comic books, TV shows, the news, personal anecdotes, just all over the place. Combining elements, working ideas together and hammering them into something newish, that’s the tricky bit.

Is there a work of fiction that you keep coming back to, one that you can read over and over again? If so, why?

The Lord of the Rings. I’ve read it more than a dozen times. It’s epic and personal, the scion of fantasy, but shot through with tremendous horror. Tolkien’s prose is incredible in places, and his descriptions are comfortable and evocative enough to make a reader feel like he’d actually been there. I also revisit Shakespeare and Dickens every once in a while, to touch the very avatars of character and structure respectively.

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As far as your own work goes, what are you working on currently?

I have several projects on the go just now, all at various stages. The first sequel to Ravencroft Springs is forming up nicely in my head. Meanwhile, I’m getting words down on a new series of fantasy short(ish) stories about three postulant priestesses. An epic fantasy continues to slow roast on the back burner, if I can slant-mix a metaphor.

Will there be a sequel to Ravencroft Springs? If so, what can you tell us about it?

I can’t say much, really, but I’ll give you this: Ravencroft Springs is the first installment in a Supernatural Southern Gothic trilogy. Since the tropes of supernatural horror are crystal clear, I thought I’d muddy the waters a bit by adding elements of the southern gothic, a genre steeping in history and mystery.

What will be coming out next for you?

I have a couple of finished stories in different stages of submission right now, so I’m not sure what will come first. There’s a prequel to Ravencroft Springs out there, and a sequel to my Prime Movers story in Capes & Clockwork. I’ll be sure to let you know when “The Feast of Love” and “The Ecuadorian Adventure” come out.

Where will you be making your next public appearance to promote your work?

My next scheduled event right now is Killer Nashville, a great crime and mystery conference here in town on August 21-24. It’s a great event, with a staged crime scene contest, lots of amazing panels, and terrific guests. After that, I’ll be at Imaginarium in September, a new convention in Louisville, and at the Southern Festival of Books here in Nashville in October.

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Find out more about Logan L. Masterson and his creative endeavors at the following link: http://agonyzer.com/

Like Logan’s author page on Facebook @ https://www.facebook.com/LoganLMasterson

Like the Ravencroft Springs fan page on Facebook @ https://www.facebook.com/RavencroftSprings

Buy Ravencroft Springs on Amazon @ http://www.amazon.com/Ravencroft-Springs-Logan-L-Masterson-ebook/dp/B00K1I5RPO

Buy Capes & Clockwork on Amazon @ http://www.amazon.com/Capes-Clockwork-D-Alan-Lewis/dp/1937035689

Buy Pulpology on Amazon @ http://www.amazon.com/Pulpology-D-Alan-Lewis/dp/1496140478