Author Interview: The Charismatic Kimberly Richardson

For my final author interview this month, I am fortunate enough to have snagged some of the valuable time of the charismatic Kimberly Richardson, my friend and the editor of the Cycle of Ages Saga. Let’s get down to business, Kim. I’m sure the readers out there are eager to learn more about you and your work.

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J:  Judging from our conversations and your stories, you have a vivid imagination. Where do you find the inspiration to fuel this creative fire and turn your wild ideas into amazing stories?

K:  I get inspiration by simply observing the world around me. The world is filled with magick and wonder; all one has to do is simply open your eyes. Even a simple conversation between two people in a coffee shop can inspire an awesome story – several of my stories began that way.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  You’ve reached some manner of acclaim in a short period of time as a professional writer. In fact, two of your novels were considered for the Pulitzer list a couple of years ago. Could you tell us more about that experience as well as your other accolades/honors?

K:  Being enlisted for the Pulitzer was quite a learning experience for me; it felt wonderful to know that my work stood a chance to receive such an honour. I do plan to enlist again very soon! I was also a finalist for several awards as well as edited several anthologies that later won awards through certain stories.

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J: Which of your fantastical tales has generated the most feedback from readers? What was their overall response to it?

K:  It is spread across the board; I get feedback from people about everything! Generally, the feedback has been great followed with questions of when my next work will be available. Either that, or they ask me if I’ve ever committed any of the “incidents” that are in my stories. I consider that to be a compliment.

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J:  What writers have influenced you the most? And which of their books are your favorites?

K:  That answer is very, very long but I will say that roughly 100+ writers have influenced me. The list of books is too long as well. I take little bits from those who inspire me and add it to my own mixture. The mixture is always changing and blending to whatever I’m either reading or writing.

J:  If you could talk to any of these writers, living or dead, who would it be, and what would you discuss?

K:  Actually, I really wouldn’t want to speak with any of them, strangely enough. They are in my mind in certain ways and for me to possibly speak with them might shatter that “image”. I know that sounds lame but it is the truth. Let them continue being that certain “thing” in my mind and I’m happy enough.

J:  Doesn’t sound strange to me at all. After having my own mental image of certain celebrities shattered by meeting them in person, I tend to avoid those who have had the deepest impact on me. Nice to know that I’m not the only one who would hate to be disappointed in the humanity of my heroes and idols.

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J:  In addition to writing, do you have any other hobbies or creative pursuits?

K:  Photography, tea blending, traveling, cooking, hiking, mycology, attending ballets, opera and the theatre in general, reading books (of course!).

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J:  Could you tell us more about your experiences as an editor for Dark Oak Press and others? Do you prefer to write your own material or help edit and shape the work of others?

K:  They are equal in my world. When I first began editing for Dark Oak, I wasn’t sure of what I was doing. After many bruises, scrapes, cuss words and failures later, I think I’ve gotten the hang of it. With regards to my work – I still enjoy it. That will never die even as I continue my work as an Editor.

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J:  As a writer and editor, what advice would you give to aspiring writers who want to become published professionals?

K:  Don’t stop, no matter what. I can’t get any more blunt than that.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  What project are you working on currently? Without spoiling anything, could you provide us with a snippet from it?

K:  As of now, I’m working through the second round of edits for my Southern Gothic novel, Open A. The novel is about a Memphian named Graydon Fayette who is also a world renowned violinist. He is also a member of a very old family that more than just dabbles in the dark side.

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J:  Do you have any new or upcoming releases that you’d like to promote here?

K:  Open A should be out next year if not sooner. Tales From a Goth Librarian II was released this past February. Both are/will be through Dark Oak Press. I also have a short story called “The Master of Tea” that will be released in Asian Pulp through Pro Se Press this year.

J:  Thanks for sharing, Kim. As always, it’s a pleasure to hear more about you and your passion for writing and editing, as well as your other creative pursuits. I wish you all the best on your upcoming releases. Maybe we’ll be seeing you on the Pulitzer list again soon.

D. Alan Lewis & A Double Dose of Lycanthropy

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With the release of not one but two werewolf-themed anthologies from Dark Oak Press this week, I thought it expedient and enlightening to interview one of the people who made it possible. Author, editor, and good friend D. Alan Lewis has been sweating these two Luna’s Children collections since last year, working diligently to comb through the massive amount of submissions, select the best stories, and then edit them for publication. Though he has not been alone in this daunting task, his drive and dedication have made these anthologies possible.

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This is a glowing introduction and rightly so. But then again, I am clearly biased as Alan saw fit to anchor the first volume, Luna’s Children: Full Moon Mayhem, with my edgy, ultra-violent revenge fiction piece entitled “Beta Male, Alpha Wolf.” As editor, Alan also selected my Cycle of Ages Saga story about dwarves on a submarine powered by a dirty nuclear reactor for Capes & Clockwork, Dark Oak’s recent steampunk superhero anthology.

In addition to his duties as editor, technical writer, and father, D. Alan Lewis is a writer of some of the most imaginative fiction to make it onto my bookshelf. When I first met him at MidSouth Con in Memphis, this unassuming, quiet fellow with the wolfish baby blues sat behind a table with his first novel, Blood in Snowflake Garden. After reading the back cover, I took this absurdist Cold War-era noir tale of murder, mystery, and cupcakes at Santa’s North Pole home with me and enjoyed every page. You will never read another Christmas story like this one. Since then, he has written and published several pulp stories and a few novels. Of them, the gritty, unflinching supervillain tale, The Bishop of Port Victoria, is another favorite. Of course, I could go on and on about telling you about this talented technical writer turned genre author and editor; instead, I’ll let him tell you about himself, his influences, and his projects.

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Q. As writers, we all come from different backgrounds and found our way to this profession in our own way. How did you make the transition from amateur to professional writer? When?

A. I grew up telling stories, some for honorable purposes and some not. As a teen and young adult, I got into roleplaying games and usually ended up running the games, since my friends loved the stories I’d weave for them. I’d toyed with writing for many years, but never got started. This was partly due to procrastination and partly due to a lack of support from family and friends. After my last divorce, I decided to jump in to the writing world with both feet. I hooked up with a writer’s group in Nashville and with their support, I managed to finish my first novel.

From there, it became a matter of networking. I’d been going to SF&F conventions for years, so I started talking to authors and publishers who attend. Those contacts lead to multiple book and story deals. And that leads to the latest work, the 2 Luna’s Children books.

Q. What genre(s) do you write? And do you prefer writing short stories, novellas, or novels? Why?

A. I’m a bit of a writing slut. I write a little bit of everything in all kinds of lengths. I have 3 novels out at the moment; a murder mystery, a pulp/noir tale, and a steampunk adventure. As for short stories, I have steampunk, pulp/noir, superhero tales, horror, and vampire & werewolf stories, and straight-up Sci-Fi.

I don’t have a preference about the length, as long as I have enough room to tell the story that I’m trying to convey.

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Q. What writer(s) has/have influenced your writing the most? How have they influenced you?

A. Douglas Adams has always been a favorite and a major influence. His works were so ‘over the edge’ at times and I loved that. While I didn’t want to be his clone, I did want to write like him. Early on, all my stories were developed as comedies, but I didn’t feel that I could match his level of craftsmanship. And as I worked, I found that my skills were more along a darker path of storytelling. 

Q. Is there a work of fiction that you keep coming back to, one that you read over and over again? If so, why?

A. Douglas Adam’s ‘The Long Dark Tea Time of the Soul’. I just love it.

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Q. As a writer, are there common themes or topics that you like to explore?

A. I love surprise twists, so everything I write has something in it that I hope will catch the reader off guard. I also love having tortured, troubled characters. As far as topics, I don’t have anything that I include in every story.

Q. As an editor, where do you find the time and patience to edit something as daunting as an anthology?

A. Patience is needed in ample amounts, some of the time. It never fails to amaze me that some authors will send in a story riddled with errors, but if an editor misses one and it gets in the final product, those same authors will throw a fit.

 As the first reader, I look for a story first. Does it fit a need that my anthology needs? If so, then I look at the errors. If there are too many, I send them back to the authors and explain what mistakes I’m seeing and ask them to rewrite it. Then, once it comes back, I get to work. With Luna’s Children, there were so many stories that I had a team of editors helping me with all the stories, making sure that I didn’t miss anything. 

With Capes & Clockwork, I was dealing with mostly established writers who knew their craft. I also had only 16 stories to deal with, so that anthology fell into place quickly and efficiently. The Luna’s Children books were the complete opposite. While there were a number of talented writes, there are a lot of first-timers. Still, many of those first-timers were giving me great stories, underneath all the mistakes. Luna’s Children includes 43 stories in the 2 volumes, which were drawn out of over a 150 submissions.

 Needless to say, the werewolf stories took much longer to weed through, edit and put together.

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Q. What special challenges do you face in editing an anthology versus a novel?

A. An anthology is a collection of stories from OTHER people. These are not my stories, so I can read it as an outsider and can spot problems and issues. When I edit my own stuff, I have to try and remember not to read it as the writer but as an outsider. While in my mind, I know how a scene is playing out in the words. But as the reader, is that scene playing out in the same way? Sometimes as a writer, you can’t see the obvious mistakes since you’re too close to the story. 

Q. What can you tell us about your newest releases, the two volumes of Dark Oak Press’s werewolf-themed Luna’s Children anthologies? And where can readers find it?

A. Luna’s Children: Full Moon Mayhem and Luna’s Children: Stranger Worlds is now available on Amazon Kindle and will soon be available in print and other ebook versions. All will be available at your local and online book retailers. 

Full Moon Mayhem contains 22 stories that are more based in the real world. While, the 21 stories in Stranger Worlds takes the werewolf genre into new worlds, other times, different realities.

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Q. Now that these collections are finally being released, what will you be working on next?

A. Currently, I am working on the submissions for Capes & Clockwork 2, which is an anthology of Steampunk’d superhero stories. The first volume came out early this year and was such a hit that the second book was green lit immediately.

In addition to that, I’m working on short stories for the upcoming ‘Black Pulp 2’ and ‘High Adventure History 2’, both from Pro Se Productions. I’m also outlining an untitled Steampunk/Noir detective story that I hope to have out by year’s end. In the long term planning, are the next books in the Hawke Girls and the Snowflake Garden series.

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Q. Finally, where can we find out more about you and your other works of fiction?

A.  My website/blog is:  www.dalanlewis.com

      I am on twitter:  @Dalanlewis

      I’m on Facebook:  http://www.facebook.com/AuthorD.AlanLewis

     And I have an author page on Amazon:  http://www.amazon.com/D.-Alan-Lewis/e/B006DA9P2U/ref=sr_ntt_srch_lnk_2?qid=1331611519&sr=8-2

 

Thanks for sitting with us for the interview today, Alan. Good luck on your future projects and upcoming appearances. In the proud tradition of tired werewolf cliches, I hope you have a howling good time. 😉