From the Slushpile: The Devil & Klaus Kristiansen (Part III)

Author’s Note: In the interest of timeliness, I have compressed my serialization to five parts. I want you to read all of this before Halloween. 3:)

### \m/ ###

My eyes tried to focus on the unearthly visage of the beast, but my brain either failed or refused to fully comprehend its features. The inky mass moved rapidly. Tucking the heart in close to its own rotten excuse for one, it sprung toward the far wall. The shadow thing reminded me of a running back on the move and the open window appeared its end zone.

I rushed to the windowsill but moved too slowly to intercept the shadow. To this day, I’m not sure what I’d have done had I caught the tiger by the tail. Truth be told, I was woefully unprepared for the challenge, mind, body, and soul.

The shadowy devil leapt from the second story of the plantation house. It landed on its feet in the dense foliage below the window and fled into the forest. Stuck in a mind bound by conventional physics, I didn’t see how I could follow without injuring myself.

So I gave chase with my mind’s eye. Turtle took my hand there in the dimly lit bedroom. He had entered quietly; ignoring the dying girl, he’d moved to my side. As he took my hand, my metaphysical self flowed forth like a river, pursuing my prey.

Through the eyes of the beast, I saw the twisted foliage and dense woods beyond the edge of the college property. The shadow fled through all of it with ease, even grace, pulling our senses along with its own. As its malevolent thoughts intruded upon my own, I realized I’d come to share more than its senses. I shared its mind and accessed its awful alien thoughts. But as I peered into its abyssal depths, it looked back.

I had no sooner locked eyes with this devil, when I was suddenly pulled back into Klaus’s living room. Across from me, Turtle convulsed, frothed at the mouth, and then flopped onto his rounded back. As our flailing friend let go of our hands, Klaus flew backwards as if he’d been struck.

Feeling as if I’d French-kissed an open circuit, I slumped back on the overstuffed couch, exhausted yet exhilarated by the whole strange experience. The universe would never look the same to me again. And I knew my courage and curiosity would always see me through the trials and tribulations to come.

However, my fear returned in full force as our friend continued to convulse on Klaus’s carpet. The bewildered dreamer and I removed any items and furniture from harm’s way but knew enough not to interfere with Turtle’s seizure. Klaus was on the phone dialing emergency services when the spasms ceased abruptly.

Turtle sat bolt upright in the floor.  His head turned to Klaus stiffly.  And he said, “No police. No ambulance. I’m fine.”

Klaus looked at me instead of Turtle. I shrugged. After all, who was I to tell Turtle how he was supposed to feel after dragging all three of us into some dream hell created by Klaus’s diseased mind. Reluctantly, he set the phone back into the cradle.

“Are you sure, man?” Klaus asked.

“Yesss…” Turtle hissed, exhaling deeply. As he did so, his breath misted as it would outside on a cold winter’s morning. And with that he fainted dead away.

Goosebumps raced down my arms as frosty breath escaped from my pursed lips. Across the room, Klaus the human skeleton shook like an anorexic in the arctic, but at least he was conscious. Unable to process the reality of the situation around me, I hauled my ass over to where Turtle snoozed on the carpet. He slept so soundly that he snored.

“Holy shit! What the hell just happened?” Klaus cried, springing from the couch with renewed vigor. “Did we get dosed or something at the party?”

“Dosed?  I doubt it.” And I did. Ritually or recreationally, I’d ingested acid, absinthe, peyote, psilocybin, and, on occasion, mescaline; but none of those had ever produced such a pronounced effect. The immersive three-dimensional mass hallucination we’d experienced had appealed to all five senses. The only real life equivalent involved acute mental illnesses, for the technological equivalent required bulky hardware and expensive equipment to create so-called virtual reality. And the best on the market couldn’t fool all of our senses. So the scene played out like fiction, bad horror fiction.

“Gotta hit the head, boys,” Klaus said as he leapt from barefoot to barefoot. “Whatever it was caused me to damn near piss myself. Thanks, Turtle.”

“Yeah,” I added, “he nearly got me with that act too.”

As Klaus passed through the single bedroom into the solitary bathroom, Turtle leaned toward me and grinned. “It’s no act, boy-o. It’s all real.”

His eyes held my gaze levelly, soberly. If he was lying, Turtle had one helluva poker face. But the biting cold, the vivid vision, and the scream echoing from the bathroom lent credence to his dire assertion. One half of the door knob thunked to the carpeted floor. Someone, something clawed, then beat on the bathroom door. Klaus’s screams continued until he shattered the doorframe and burst into the bedroom.

“What the hell’s wrong with you, man?” I asked as I stood beside Turtle in the open doorway.

Klaus rose from the floor. He shivered all over, his coal black eyes riveted on the dark interior of the bathroom. The crotch of his black denim jeans was soaked through with what, judging by its pungent odor, could only be piss.

“It, it tried to get, get me,” he stuttered.

“Told you, dude,” Turtle said, shrugging his shoulders.

“Knock it off!” I shouted. “You’re not making this any easier.”

“No, he’s right,” Klaus said as he advanced on Turtle. Grabbing him by his collar, my enraged friend shook the grinning fool. “What did you turn loose in my apartment, you stupid sonuva–”

Stepping in between them, I wrenched Klaus’s hands out from around Turtle’s fat neck. “Knock it off. He’s screwing with you.”

Both men fell back as I filled the space between them. They huffed, puffed, and glared at each other. Klaus had berated Turtle before but looked ready to throttle him at a moment’s notice. But I couldn’t ignore the pain in my own bladder any longer, especially with the smell of urine permeating the stale air around me.

Drawn toward the bathroom, I said, “Big bad or no big bad, I’ve gotta piss.”

“Don’t go in there!” Both men cautioned.

“At least ya’ll agree on something.”

My smartass comment hung in the air, like the foul reminder of Klaus’s piddle party in the potty, as I entered the freezing confines of the tiny bathroom. My breath turned to frost before me; the cold caused my bloated bladder to cramp tighter. Ignoring the mirror over the sink, I stood over the urine-soaked toilet and shook my head.

I sighed with relief as the hot stream burst forth and splattered against the inside of the porcelain bowl. As release turned to relief, I groaned and closed my eyes.

“How do you ever expect to pleasure a woman with that wee little piggy, piggy?” An eerily familiar voice asked before chuckling at my expense.

Startled, I flinched and felt warm liquid coat my fingers, crotch, and inner thigh. Looking around, I saw no one but me and my reflection.

“Were you sick bastards watching me pee?” I called out to my friends.

Before either of them could answer, my image in the looking glass replied, “Nope. That was all me, piggy.” And then it waggled its tongue and a single pinkie.

I’d made faces in the mirror before but never with piss dribbling down my leg. As I backed toward the door, I restored my modesty to its damp shelter. But I didn’t dare divert my eyes from my doppelganger. Though the image didn’t say anything else, it stood stock still until I lost sight of it upon egress from the noxious bathroom.

Klaus said, “Not so easy to piss while taunting yourself is it?”

Shaking my head, I mumbled, “Felt like gym class.”

“Whatever it is, we have to get rid of this thing.”

“Get rid of it? Let’s get the hell out of here?”

“We could always call Ghostbusters?” Turtle interjected.

“Shut it, Turtle.” Klaus snapped. Turning to me, he added, “I don’t have the luxury of leaving; I live here.”

“Pull back and nuke the site from orbit. Only way to be sure.”

“Stop quoting movies, Turtle,” Klaus fumed. “You did this. Now fix it.”

“Me? I didn’t do anything. I merely facilitated. That thing was in your dreams already; you were carrying it around with you before you met either of us. For all I know, you were born with it. Or maybe it was Maybelline.”

“You think this is funny!” Klaus snatched Turtle by the collar of his work shirt and shook him. “You unleash some pissed off demon in my house and it’s my fault.”

“Better pissed off than pissed on,” Turtle quipped.

“Enough!” I shouted. First one and then the other squabbling man-child fell silent. “We’re going to my house, getting my pipe, and coming back to kick some spiritual ass.”

“Dude, now is not the time to get high.”

I slapped Klaus then. Hard. He stared at me, mouth agape for a long moment. I thought he might swing on me, but shock and slight damage had silenced him.

“What’d you do that for?” Klaus stammered as he held his jaw. From the way his bottom lip jutted out from its companion, you’d think I’d punched him in the mouth.

“Clearly, you were hysterical. Don’t let me ever hear you say that anything like that again. It’s always the right time to get high. But I wasn’t talking about that kind of pipe. Come with me, I’ll explain later.”

The trip over curvy country roads through the north end of the county passed in silence. I left the Turtle and Klaus in my silver, rust, and primer Hell Camino as I went inside the century old farmhouse atop the hill. Returning minutes later clad in a fresh pair of jeans, I placed the bulky doe skin medicine bundle in the trunk of the pickup car.

“What’s that?” Klaus asked as I crowded in beside him.

“A spiritual hammer,” Turtle answered for me.

“Let’s hope it’s big enough for the big bad,” I said, slinging gravel behind us.

I broke down the plan for them on the way back to town. In the process, I revealed some of my past, including my spiritual upbringing. Parts of my life I’d kept locked away from my college friends. I told them about my summers on the reservation, visiting distant relatives, and reconnecting with my roots through my medicine father, a close friend of my Lakota family.

The mixed blood Oglala man had taught me the rites and rituals associated with the chanupa wakan, the Sacred Pipe. Though most of them involved prayers of gratitude and offerings to the universe’s mysteries, both great and small, one of them involved a ceremony designed to cleanse people, places, and objects of corrupting energies. But would it cleanse a home of an unwanted intruder from my friend’s dreamscape? Time would tell, but I didn’t tell that to either of my companions. I needed them to believe not doubt the efficacy of the ceremony.

We reentered the apartment cautiously. Holding a smoldering sage wand aloft, I lead the way into the occupied dwelling. Though I could not see it, I felt it watching us, waiting for us.

I inhaled the sweet aroma of the burning leaves. My native forefathers believed sage repelled negative energy, especially spirits. As it turned out, it agitated them as well.

The door slammed shut behind us. As we turned toward the sound, the doors of the kitchen cabinets opened wide and then shut hard enough to rattle the dishes inside. Drawers shot out into the floor and scattered silverware, dish towels, and drug paraphernalia all over the linoleum.

Undeterred by the spiritual tantrum, we cleared the coffee table from the center of the room.  I sat on the floor in the north after placing Klaus and the Turtle in the east and south respectively. The position in the west remained open until I filled it with a seashell.

Ignoring the cacophony in the kitchen, I used the sage wand to light a braid of sweet grass, another herb known to affect spiritual beings. Then I left the wand to burn in the shell alongside the sweet grass. Reaching into my medicine bundle, I took out another smaller bundle, this one wrapped in the soft silver-and-black pelt of a wolf.

I unraveled the fur and revealed a chanupa wakan in two segments, stone bowl and wooden stem. Murmuring my thanks to Wakan Tanka, the Great Mystery at the center of all things, as well as to Father Sky and Mother Earth, I joined the pieces of the pipe together. Once secured to the stem, I filled the blood red catlinite bowl with a smoking mixture of tobacco and other herbs known collectively as kinnikinnick and then touched a lit match to it. Inhaling the acrid mix, calm and tranquility fell over me despite the storm encircling me. But my peace was not to last.

As soon as I involved the others, the ceremony went awry. I’m not sure what happened, or who to blame for that matter, but the pipe made one pass and went out. I tried time and again to light it but failed. Disassembling the pipe and clearing it with a straightened coat hanger didn’t help the situation either.

The room felt different, however. The temperature had risen. And the cabinets had ceased to clatter. But the relative stillness lulled us into a false sense of security, for the unmistakable feeling of being stared at by something other than my friends remained.

“Do you think it worked?” Klaus asked.

“I dunno, man,” I answered, shaking my head in bewilderment. “But I can tell you one thing. I can see light through this pipe stem and it won’t draw air. What the hell?”

Turtle dispelled any hope that the cleansing had been successful when he said, “It’s still here. And it’s not happy. I think it might be sulking, like an angry, hurt child.”

As if in response to his warning, the door to the closet in the bedroom slammed shut with enough force to rattle its frame. Something thudded, thrashed, and then thundered inside the tiny space. But soon enough it stopped and left the apartment quiet.

We crept into the bedroom as a group. Something wet and dark covered the carpet near the closet. At first, I mistook it for urine that had run out of the tile floor of the bathroom to puddle onto the carpet. As Klaus switched on the overhead light, the single bulb revealed the fluid to be thick and viscous with the color and consistency of plasma.

As we watched in mute horror, the sanguine substance seeped from under the door of the closet. The illusion held us until I grabbed its handle and flung it open. The bloody imagery vanished, replaced by a biting cold and foul smell that wafted forth from the possessed space. The door closed in my face with enough force to rattle my teeth.

“Told you,” Turtle said with a smug expression on his fat face.

“Stop it!” Klaus cried. “Ya’ll are making it worse. And I’m stuck living here.”

“My advice is move,” Turtle replied, “for your sake, for your soul’s sake.”

“I’ll second that,” I added. “It’s a crummy college apartment in a town filled with crummy college apartments. Pick up and move ASAP.”

“Are you kidding me?” Klaus said. “Can’t we get a priest or something?”

“How many clergymen are we gonna find in Alabama who know how to perform an exorcism, much less who’ll perform one for a Satanist, a Gypsy, and an Indian?”

“Jay’s got a point there,” Turtle replied. “And they’ll blame it on us anyway.”

“You’re right,” Klaus said, “especially since it’s your fault.”

Turtle glowered at him and finally snapped, “Don’t blame me for the demons you carry around inside your head! I might have facilitated its escape. But you’re the conduit. It’s your darkness, not mine!”

Klaus huffed and puffed but did not speak. He looked crestfallen as he struggled to accept the maddening reality of our situation, a situation created by the hobgoblins haunting his mind. Sadly, neither Turtle nor I could do anything other than help him pack. So my friend moved that very night.

A few weeks later, our friend Luke moved into the possessed place despite our warning. A spiritualist like me, he prided himself on his connection to the natural world as well as the unseen world around us. But most of his occult knowledge had been distorted, along with his sense of reality, by a steady regimen of hallucinogens and psychedelics. For Luke, the prospect of a haunted apartment appealed to his esoteric, eccentric nature.

Our friend lasted less than two weeks before he fled in the middle of the night too. He refused to return to the apartment and moved into a tent in the dense woods behind his parent’s farm. We resolved to visit him, to hear the whole story, but that set in motion a chain of events that damned us all.

In our case, our road to hell was paved with good intentions.

### TO BE CONTINUED — Part IV Coming Next Week ###

This story was written by Jeremy Hicks. It is his original content and cannot be used anywhere else without his expressed written consent. However, this blog may be shared, reblogged, etc. on social media for the purposes of promoting the author, his blog, and his other creative works. 

Any resemblance to persons living or dead, events real or imagined, etc. is entirely intentional. This is a work of fiction but draws on real events and references the real world at times. Any reference, product placement, or pop culture quote is not intended to impinge on any trademark, patent, and/or copyright; rather it is flavor text for the dialogue of characters raised within the context of our pop culture.

 If you don’t like these terms of agreement, go check yourself. You’re complaining about a #FREE story.

Also, if I’ve let you read this story in the past, please do not post spoilers in the comments here or on any of my social media. Thanks!

From the Slushpile: The Devil & Klaus Kristiansen (Part 2)

Author’s Note: I will post all six parts before Halloween weekend. So stay tuned for one helluva horror story.

Part Two

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As it turned out, the Hell portrayed in Turtle’s dreams looked like the byproduct of a collegiate man-child steeped in pop culture, rock music, and a lot of hallucinogens. AC/DC’s “Highway to Hell” blared from the speakers of an unseen jukebox as we strode through the grandiose double doors of the antebellum home turned satanic frat house. Thick tendrils of smoke or fog curled around our feet as we moved through the riotous throng packed into the entry hall.  Over the doors, a tooled wood sign read:  Abandon All Inhibitions Ye Who Enter Here.

Faces of friends and enemies mixed with those of fiends. Together they capered wildly, spastically to the power chords of rock ‘n roll’s finest. I felt overwhelmed, my senses assaulted by the cacophony.

I turned back toward the doors, but there was nowhere to go. No moon, no stars shined in the night sky. The mist covered the parking lot like a blanket. The strange orange hue of the street lights obscured all but the house and its adjacent grounds.

“What the hell, Turtle?” Klaus demanded, seizing our friend by the collar of his faded Wolverine tee and wresting my attention from the dreamscape outside the house.

“Exactly!” Turtle answered. “What version of hell is this? Mine? Or one of yours? Because I didn’t have this nightmare until after I’d met both of you. And each of you is in the dream. But whose hell is this? Because you’re both there every time it happens.”

“Every time what happens?” I inquired, my sense of dread growing.

“You’ll see.” Turtle’s mercurial smile made me want to smash his remaining teeth out of his skull. “There’s still time yet. Until then enjoy the party.”

The Turtle danced, if you could call it that, his way through the crowd of raucous revelers. Klaus and I stuck close to our friend unsure what would happen if we became separated in his deranged dreamscape. A thousand vices and temptations surrounded us at every turn. I saw the things we normally enjoyed, but also mirrors piled high with white powder, stripped and ready pain-sluts of the barely legal variety, and a hundred other deviances ranging from the laughable to the unforgiveable.

Either Turtle the Video Game Virgin knew how to party harder than anyone had suspected or he’d tapped into some primal part of our brains…but which one of us. Perhaps he’d perceived repressed kinks, vices, and other socially unacceptable behaviors present in one or even both of us.  That possibility disturbed me, but little of what I saw scared the hell out of me. I did have a slight problem with the horned thing corn-holing our school mascot over the side of a sofa. And the sight of a sadistic bastard licking blood from the blade he’d used to slice spirals into the tender flesh of a pretty co-ed sickened me to the core.

Surely, none of this could be real. Even if it was a collective dream, some twisted, hedonistic manifestation of the universal unconsciousness, it was still a dream. I comforted myself with that fiction, ignorant of how wrong I was about our situation.

Turtle glanced behind him to make sure we were close on his heels and then mounted the grand staircase that dominated the entrance hallway to the mansion. A throng of partiers clustered on the winding stairs enjoying a wide array of pleasures. As I passed a diminutive woman bent over the sturdy railing, one of the two men penetrating her stopped long enough to ask me to join their public perversion.

Blushing crimson, I declined and hurried after Klaus and Turtle. As a virginal teenager, I felt overwhelmed by the sensational sins being committed all around me. My brain ached inside my skull, and my manhood throbbed in the confines of my jeans. I retreated inside myself as I tried to deal with all of the conflicting emotions in between.

Was this place hell? Or was it Turtle’s version of a wet dream? Or worse yet, one of mine or Klaus’s somnolent fantasies?

Although everything I’d seen at the party appeared deviant when compared to conventional social mores of the day, little of it seemed dangerous. Unless our creator considered anything visceral and enjoyable to be a sin. And I didn’t subscribe to that narrow-minded, puritanical view then…or now for that matter. I’d yet to see anything nefarious, much less hellish…unless one counted the pounding, repetitive electronica that had replaced legends of hard rock and heavy metal to become our new soundtrack.

The festivities on the second floor felt more like a rave than the festivities enjoyed by the Goth/Metal crowd on the ground level of the unnamed fraternity house. So in my mind, the party became annoying instead of more infernal, despite the horned humanoids twirling glow-sticks about their scaly bodies. If you’ve seen one dancing Sleestak with a glow-stick, you’ve seen them all. And raving demons were not my idea of hell; they were my idea of a bad pun.

“This has to be the lamest layer of all the hells in the multiverse,” I commented.

“Agreed,” Klaus seconded. “Hard drugs, kinky sex, and canned music doesn’t make it hell. It makes it a college party. The textbook definition of one as a matter of fact. I’ve seen scarier stuff at a Senate hearing on CSPAN.”

Klaus and I chuckled, but Turtle didn’t appear amused. Instead he looked at us as if we were stupid. But we weren’t; we were ignorant, cocky know-it-alls, like so many narcissistic nineteen-year-old nerds. In fact, without our narcissistic, nerdy traits, Klaus and I would have become enemies long before the events to come made it so.

Concern coloring his chiseled face, Turtle told us, “Dreams, like anything, exist according to certain rules. And one of those is the interconnectedness of all things, all places, all times. Dreams are the nexuses, the cruxes upon which the entire fabric of creation is built.

“After all, what are we but a collective realization of a universal dream. Somewhere, someplace, sometime, everything around us was dreamed into being by someone or something. As surely as we see this dream now, our creator pictured the dream that became our waking universe in its mind’s eye.

“And if dreams can show us a version of heaven that a sleeper can craft into reality upon awakening, a nightmare can become a living hell. That’s what I’m about to show you, the difference between dreams and nightmares, between heaven and hell.”

We turned down another corridor, and the scene around us shifted for the third time. As we entered this wing of the house, the furniture and the décor took on a style incongruent with the rest of the interior. I turned to pass my observation on to Klaus, but he’d fallen behind. In fact, he stood transfixed, his hollow eyes riveted on the lone door at the end of the long hallway.

“Are you okay?” I asked, knowing the answer already. My friend had grown as pale as a Hollywood vampire. Tears touched the corners of his eyes, a sight none of us had seen before…or since.

“But it can’t be,” Klaus muttered.

“What can’t it be?” Turtle inquired, joining us in the middle of the empty hall.

“I’ve seen this before,” Klaus replied. “All of it. I didn’t remember until I saw that door. That damn door and the horror that lurks beyond it have haunted me for years. But it can’t be. It’s just a dream.”

“Yes,” Turtle said, tapping Klaus in the center of his forehead. “It’s all here. Or we’re all there rather. Thanks to a little family tradition passed down through my mom’s side of the family. My gypsy blood produces a fair number of psychics, mediums, touch telepaths, and empaths.”

“And here I thought gypsies were alcoholics and kleptomaniacs,” Klaus joked.

“You forgot con artists,” I added, knowing in my heart what Turtle said to be true. But I wasn’t ready to accept it then. It took the unnatural shocks that came after for me to accept the paranormal as my new norm.

“I never thought I’d live long enough to admit it,” Klaus said, wiping his eyes, “but Turtle might be right. I’ve seen this house before; I’ve opened that door before. Countless times. And it never ends well.”

“What do you mean it doesn’t end well?” I asked, dreading the response.

Locking eyes with me, Klaus pleaded, “I wanna go home now. I don’t wanna live through this nightmare again. This might not be your idea of hell, but there’s a devil behind that door. A devil and a dead girl.”

“A dead girl?” I asked, bewildered by Klaus’s revelation. Glancing at my other friend, I saw that Turtle appeared calm, cool, and collected, the exact opposite of his waking demeanor.

“Well, she’s not dead yet…” Turtle said, “…not this go round anyway.”

A shrill squeal pierced the door, echoing down the hall. The cry of a damsel in distress, even a dream one, called out to my primal, protective nature. I charged the door while Klaus beat feet toward the stairs. Turtle lingered in between, unsure who to follow.

The locked door didn’t stop me long. Throwing my considerable girth against it, I overpowered the frame itself. As it separated from the wall with a sickening CRACK, I backed away and kicked outward. My big boot finished the work my sore shoulder started. The defeated door hung ajar from its ruined frame, orange light spilling into the hall from around its seams.

Shadows flitted in and out of the light in the room beyond the door. Throwing caution to an ill wind, I rushed through the doorway and into a blood-splattered bedroom. The room’s white interior had turned to crimson thanks to its two maddening occupants.

A shadowy figure perched on the center of a brass canopy bed; in its sizeable paws, the beast held the still beating heart of its victim, the nearly dead girl. The angel in alabaster lay sprawled on the mattress, wearing the remnants of a lacy summer dress. In the wan light cast by the street lights, her auburn curls took on the same shade as the gory fluids oozing from her savaged bosom. Only one perfect pale breast remained intact; its twin destroyed when the devil had ripped out her heart. The dying girl whimpered as yet unaware of her own demise. When her emerald eyes locked on her stolen heart, she wept a final tear.

*** Part 3 Coming Soon ***

This story was written by Jeremy Hicks. It is his original content and cannot be used anywhere else without his expressed written consent. However, this blog may be shared, reblogged, etc. on social media for the purposes of promoting the author, his blog, and his other creative works. 

Any resemblance to persons living or dead, events real or imagined, etc. is entirely intentional. This is a work of fiction but draws on real events and references the real world at times. Any reference, product placement, or pop culture quote is not intended to impinge on any trademark, patent, and/or copyright; rather it is flavor text for the dialogue of characters raised within the context of our pop culture.

 If you don’t like these terms of agreement, go check yourself. You’re complaining about a #FREE story.

Also, if I’ve let you read this story in the past, please do not post spoilers in the comments here or on any of my social media. Thanks!

From the Slushpile: The Devil & Klaus Kristiansen (Part I)

Let’s start October off on the right foot with a new blog feature, “From the Slushpile.” I’ve decided on this title as many of the stories that I will share in serial form here were either too extreme for the publishers (as in the case of our first story), did not work for the publishers/editors, or simply did not find a home in print for one reason or another.

I’ve held onto these for some time, even though they continue to get good reviews from select people who have read them. And I cannot afford to pay a cover artist for each story so I can place them on Kindle. As a result of being a broke guy with dark, eclectic, and often whimsical tastes in fiction, you will have the opportunity to read these on my blog in serialized form. All for free. Well, mostly free. I will ask for a small sacrifice of your time, attention, and if you’re being constructive or complementary, input while these tales reel out for your perusal. But be forewarned, not all of these stories made it to final formatting. There may be a few errors hiding in the text.

This story was written for Seventh Star Press’s Southern Haunts 2, although it was deemed too extreme for their PG-13 rating. I was asked to cut my drug references, sexual situations, adult language, and graphic violence. I doubt there would have been much of a story left at that point, so I pulled the submission. The submission guidelines called for a story about demons, based on a real life event in a real place. So I chose to fictionalize a story about an occurrence in Jacksonville, Alabama that I cannot fully explain to this day. Without further adieu, I bring you the beginning of “The Devil & Klaus Kristiansen.”

### \m/ ###

The college party at the Wind Song Apartments, located in a real Hellmouth, a rather picturesque college town called Jacksonville, Alabama, stretched into the early hours of the morning. Until the flabby arm of Johnny Law saw fit to end it. As with so many events in my life, it started with revelry and ended in tragedy.

A few others and I sought the nearby refuge of our friend Klaus Kristiansen.  We clustered into his cluttered, cramped apartment to smoke the kindest of the kind and drink the stoutest of the stout. But most of all we talked.

As we became comfortably numb, time like topic became relative. Quite relative indeed. Our numbers dwindled as the sun crept toward the horizon outside of Klaus’s smoky den until only he and I remained. As we sat on the edge of consciousness, the conversation turned to the ephemeral, the heady stuff of dreams. We each shared our disparate visions for the future of humanity before discussing our own personal versions.

We saw ourselves as crafting our reality based on something we’d seen with our sleeping minds’ eyes. As a result of his dreams, King Klaus Kristiansen sought a path of conquest, using his inborn abilities to create a modern version of a medieval fiefdom that would allow him to reign supreme over lesser men. As an extropian and staunch believer in the power of the human spirit, I sought to help my fellow humans cast off the shackles of pyramidal control structures and evolve past the limited thinking produced by a society based on the specter of scarcity. He called me a fool. And I called him a fascist.

One might ask why I was friends with such a person, someone I knew to be diametrically opposed to most everything I believed. I’d listened to my medicine father’s songs and stories as he taught me the indigenous ways of my people, the ways of the pipe. Though I heard his cautionary tales of all the mysteries of creation, both great and small, I didn’t believe them at the time. It took confronting the forces of darkness and losing the battle for someone’s soul to make me a believer.

I’d met Klaus Kristiansen when he’d come to attend school in my hometown, a sleepy but sinful town nestled among the foothills of the Appalachians. The self-described Rock ‘n Roll Satanist claimed to be the grandson of an SS Colonel who helped Hitler develop the world’s first flying saucers. In short, Klaus was larger than life, an id, an ego, and superego wedged into leather pants two sizes too small. A man most would call crazy, or comical, if it wasn’t for the .40 caliber Glock stuck into his waistband.

As a keen observer of human behavior, Klaus fascinated and infuriated me, in the fashion of a noisome bee, unsure if it’s simply annoying or actually dangerous. He could be elegant, chivalrous, and noble one moment and selfish, sadistic, and cruel the very next. He vexed most people. But I took his offer of friendship as a challenge.

We had reached a philosophical impasse, as we often did in our debates. The conversation hit a lull. Blue smoke swirled in the stale air between us. And then a knock at the door cut the tension with the ease of a razor’s edge. Paranoia replaced my concern for my troubled friend’s post-apocalyptic vision for humanity’s future. Who could be knocking this time of the morning? Was it the police again? If so, we were going to jail.

Klaus shifted his black eyes from me to the door. As one hand slid his tray under the lip of the sofa, the other edged the semiautomatic pistol from its holster. Before he could draw the pistol, the Turtle entered in spectacular fashion. His Krameresque entry startled us more than his sudden rapping on the apartment door.

The Turtle–nicknamed for his smooth head and hunched back–made wild claims to various abilities, including but not limited to psychical and martial prowess. To us, he was simply a talkative, imaginative friend who happened to resemble a pink-skinned Teenage Mutant Ninja Turtle. And this morning he provided the catalyst to jumpstart our flagging conversation. But Turtle became a catalyst of a different sort, for he too had been led by his dreams…to us.

“Guys, you won’t believe what happened to me last night,” he blustered, plopping down onto the sofa. Slender, almost waifish Klaus toppled over onto his side as the weight of Turtle’s bulky frame jarred the couch’s sensitive springs.

“You got laid,” I guessed, taking the sheen of sweat on his bald head as evidence of an evening of pleasant exertion. And as a virginal male, sex was always on my mind.

Recovering, Klaus quipped, “Only in his dreams.”

I laughed madly, and he joined me. The tension between Klaus and I evaporated as we shared a joke at Turtle’s expense.

“How’d you know it had to do with a dream?” Turtle shook his head in disbelief, his eyes bulging as he stared at us. “Creepy.”

“You’re creepy,” Klaus jibed.

“What had to do with a dream?” I inquired, too tired and too stoned to follow a madman’s riddles.

“What I came to tell you guys about. Though showing you might be easier.”

“Show us? What the hell are you talking about?” Klaus demanded.

“Exactly.” Turtle replied.

“Exactly?” I asked, flummoxed. Putting on my best British accent, I said, “That’s a bollocks answer, old chap. Spit it out before the Zulu overrun the bloody perimeter.”

“Hell!” Turtle exclaimed, almost shouting. “Well, a dream about hell anyway. And you guys were there. We were all there.”

“Thanks, man.” I retorted, sounding annoyed. “I’ve had a lot of people tell me I’m going to hell but didn’t expect it from the acid-dipped spawn of Flower Children.”

Turtle’s gypsy parents had travelled the length and breadth of the country during the Counterculture Movement.  His aunt and maternal grandmother had joined them, touring the nation from shore to shore on a tie-dyed school bus converted into a camper. The Turtle’s clan finally settled in the piney hills of Alabama before giving birth to our fantastic, if fanciful friend.

“And I’ve seen the Wizard of Oz, so suck it, Turtle,” Klaus added.

“You don’t believe in Hell?” Turtle asked. “But you’re a Satanist.”

“I believe in Hell as a metaphorical construct not a geophysical reality.”

“Yeah, what he said,” I seconded. “It’s a philosophy that involves not creating your own hell on earth. And the idea that you can only believe in yourself and your own power. It’s really an extreme form of humanism, a selfish, self-aggrandized one at that.”

“Damn right,” Klaus said. “It’s all about me. I create my own heaven or hell wherever I go, with whatever I do.”

“Something like that,” I said, “only you could be using that energy for the good of all mankind, instead of wasting it on pursuits that benefit no one but yourself.”

“Hippie.” Klaus hissed.

“Devil worshipper,” I quipped.

“Guys! Do you want to see what I was talking about? I can show you.”

Sighing, Klaus said with disgust, “Fine. Show me your version of hell, Turtle.”

And then he did.

*** TO BE CONTINUED ***

This story was written by Jeremy Hicks. It is his original content and cannot be used anywhere else without his expressed written consent. However, this blog may be shared, reblogged, etc. on social media for the purposes of promoting the author, his blog, and his other creative works. 

Any resemblance to persons living or dead, events real or imagined, etc. is entirely intentional. This is a work of fiction but draws on real events and references the real world at times. Any reference, product placement, or pop culture quote is not intended to impinge on any trademark, patent, and/or copyright; rather it is flavor text for the dialogue of characters raised within the context of our pop culture.

 If you don’t like these terms of agreement, go check yourself. You’re complaining about a #FREE story.

Author Interview: The Charismatic Kimberly Richardson

For my final author interview this month, I am fortunate enough to have snagged some of the valuable time of the charismatic Kimberly Richardson, my friend and the editor of the Cycle of Ages Saga. Let’s get down to business, Kim. I’m sure the readers out there are eager to learn more about you and your work.

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J:  Judging from our conversations and your stories, you have a vivid imagination. Where do you find the inspiration to fuel this creative fire and turn your wild ideas into amazing stories?

K:  I get inspiration by simply observing the world around me. The world is filled with magick and wonder; all one has to do is simply open your eyes. Even a simple conversation between two people in a coffee shop can inspire an awesome story – several of my stories began that way.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  You’ve reached some manner of acclaim in a short period of time as a professional writer. In fact, two of your novels were considered for the Pulitzer list a couple of years ago. Could you tell us more about that experience as well as your other accolades/honors?

K:  Being enlisted for the Pulitzer was quite a learning experience for me; it felt wonderful to know that my work stood a chance to receive such an honour. I do plan to enlist again very soon! I was also a finalist for several awards as well as edited several anthologies that later won awards through certain stories.

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J: Which of your fantastical tales has generated the most feedback from readers? What was their overall response to it?

K:  It is spread across the board; I get feedback from people about everything! Generally, the feedback has been great followed with questions of when my next work will be available. Either that, or they ask me if I’ve ever committed any of the “incidents” that are in my stories. I consider that to be a compliment.

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J:  What writers have influenced you the most? And which of their books are your favorites?

K:  That answer is very, very long but I will say that roughly 100+ writers have influenced me. The list of books is too long as well. I take little bits from those who inspire me and add it to my own mixture. The mixture is always changing and blending to whatever I’m either reading or writing.

J:  If you could talk to any of these writers, living or dead, who would it be, and what would you discuss?

K:  Actually, I really wouldn’t want to speak with any of them, strangely enough. They are in my mind in certain ways and for me to possibly speak with them might shatter that “image”. I know that sounds lame but it is the truth. Let them continue being that certain “thing” in my mind and I’m happy enough.

J:  Doesn’t sound strange to me at all. After having my own mental image of certain celebrities shattered by meeting them in person, I tend to avoid those who have had the deepest impact on me. Nice to know that I’m not the only one who would hate to be disappointed in the humanity of my heroes and idols.

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J:  In addition to writing, do you have any other hobbies or creative pursuits?

K:  Photography, tea blending, traveling, cooking, hiking, mycology, attending ballets, opera and the theatre in general, reading books (of course!).

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J:  Could you tell us more about your experiences as an editor for Dark Oak Press and others? Do you prefer to write your own material or help edit and shape the work of others?

K:  They are equal in my world. When I first began editing for Dark Oak, I wasn’t sure of what I was doing. After many bruises, scrapes, cuss words and failures later, I think I’ve gotten the hang of it. With regards to my work – I still enjoy it. That will never die even as I continue my work as an Editor.

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J:  As a writer and editor, what advice would you give to aspiring writers who want to become published professionals?

K:  Don’t stop, no matter what. I can’t get any more blunt than that.

Photo by Kimberly Richardson.

Photo by Kimberly Richardson.

J:  What project are you working on currently? Without spoiling anything, could you provide us with a snippet from it?

K:  As of now, I’m working through the second round of edits for my Southern Gothic novel, Open A. The novel is about a Memphian named Graydon Fayette who is also a world renowned violinist. He is also a member of a very old family that more than just dabbles in the dark side.

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J:  Do you have any new or upcoming releases that you’d like to promote here?

K:  Open A should be out next year if not sooner. Tales From a Goth Librarian II was released this past February. Both are/will be through Dark Oak Press. I also have a short story called “The Master of Tea” that will be released in Asian Pulp through Pro Se Press this year.

J:  Thanks for sharing, Kim. As always, it’s a pleasure to hear more about you and your passion for writing and editing, as well as your other creative pursuits. I wish you all the best on your upcoming releases. Maybe we’ll be seeing you on the Pulitzer list again soon.

Author Interview: The Magical Mindscape of J.L. Mulvihill

For our first author interview of the year, I have the privilege of probing the magical mindscape of J.L. Mulvihill, Southern Haunts editor and writer of fantasy, horror, steampunk, and more. She’s the author of poems, short stories, and several novels, including Lost Daughter of Easa, Boxcar Baby, and Crossings.

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Let’s start off with something basic but fundamental. How long have you been writing and what prompted you to go from amateur to professional?

Well, the funny thing is, I have been writing for as long as I can remember. I found an old journal of my mothers and there is an entry there that said “Today Jennifer made up her first poem, ‘light, light, burning bright’.” Okay so I didn’t actually write that, I was only two years old but I think if I could have written it I would have. We will just say I have been writing poetry and short stories as long as I have been able to write. I just saw it as a hobby and sometimes therapy. When I got into bands, I started writing song lyrics too. One day however, about eleven years ago, I had a strange nightmare about being chased through the woods by a giant spider. The dream would not leave my head but kept playing over and over until characters started emerging. I told my family about it and they encouraged me to write the story down. I did and the next thing I knew I had 180,000 words down on paper. What to do with that now I wondered. Well, that was when I started the long trek to getting the story published and it became my first novel, The Lost Daughter of Easa.

Frankly, I find that story fascinating and a bit terrifying. I’m a bit arachnophobia too, but it’s more of an irrational hatred toward them. Too quiet. Too many eyes and legs. Bleh. But you’ve just sold me on reading Lost Daughter now. It’s bound to be a fright-filled tale.

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Which writers have influenced you the most along the way?

I, of course, am a fan of J. R. R. Tolkien, C. S. Lewis, L. Frank Baum, Laura Ingalls Wilder, Lois Lenski, Robert A. Heinlein, Edgar Rice Burroughs, Ray Bradbury, Anne McCaffrey, Terry Brooks, Edgar Allan Poe, and Stephen King. I could probably go on for a while since I read a lot when I was a kid that was all I pretty much did was listen to music and read books.

Apparently, you forgot about Stan Lee. I dug up this picture of you and him together at Dragon*Con 2014. 😉

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Name five favorite novels that either influenced you or have simply stuck with you?

The Strawberry Girl – Lois Lenski;
The Hobbit – J. R. R. Tolkien;
Fahrenheit 451 – Ray Bradury;
Dragonflight – Anne McCaffrey;
Lost Horizon – James Hilton

The Hobbit and many works by Bradbury would be on my list as well. I can see a lot of Bradbury’s influence in the coming-of-age aspect of Boxcar Baby, especially focusing on a gritty, darker side of it.

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I know you field this question on a lot of writing panels. But I’ll ask it again here. Always leads us into the mind of the writer. Where have you found inspiration for your stories/books?

Inspiration for my stories and books come from my dreams, parts of my life, my children and family, the world and people around me. Sometimes it’s something I hear on the history channel or Discovery and then develops into an idea. Maybe an object I see in a shop or on the ground. I guess most of my ideas just come from the twisted world inside my head.

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You have worked as an editor on Seventh Star Press’s Southern Haunts series as well as authored several stories and books yourself. Which work do you find more fulfilling, writing and editing your own stories or editing, and shaping, those of others?

I think I prefer to work on my own stories because I feel like I am invading on peoples’ creativity when I edit. However, there is a certain satisfaction one can achieve when an anthology is created and finished. Especially when the idea of the anthology like Southern Haunts was something you helped come up with from the beginning.

I agree wholeheartedly there, Jen. I always feel intrusive if I’m doing more than proofing someone’s work. And even then, you can run into subjective disagreements about exposition, dialogue, and basic grammar. I’d rather be writing than editing anyday.

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Your young adult fantasy novel, The Lost Daughter of Easa, and The Steel Roots series, which I’d term as a steampunk fairy tale and coming-of-age story, are rich worlds with descriptions and characters that fill them out in great detail. From outside appearances, both seem to involve heavy world-building and a lot of planning and outlining.

Could you tell us about your creative process with these pieces, with a focus on these topics?

When people say heavy world building, I feel like I am cheating because those worlds are in my head; and, yes, I guess I did create them but to me it is not such a hard task as it sounds. For Lost Daughter of Easa, I literally have a tri-board with sticky notes on it with regards to characters, places and things. I actually do have an outline, in fact an entire book filled with notes about everything from mythological creatures to the string theory and traveling between worlds. I follow my outline, and when I come to a creature or object, I look it up or research for good measure. Here is the trick though; I have books for this series. A lot of people rely heavily on the internet; I have books of all sorts about giants, and fairies and elves and dragons. The only things I do not have books on are spiders, because I hate spiders, and I will not even have a book about them. I look those up at the library or, yes, the internet. Now as far as the world, like I said it is alive in my head, so I just close my eyes and can go there. I see all my scenes as if they are really happening before me.

The steampunk series is a little different. I did a lot of research both in books and online about the 1800s and the Victorian era as well as the revolutionary time period, workhouses, and factories. The cool thing about this story is that it is in America, not a fictional place. Although it is set in my alternate history, I can look up these towns and see what they used to look like and then describe them, maybe altering bits and pieces here and there. Some the Steel Roots series has elements from my childhood as well that I have incorporated in the story to make it real. For instance, the very first sentence is taken from when I lived with my grandparents. I would hear the train whistle every night and every morning far off in the distance, and it would comfort me. I, of course, do a fair bit of research about trains, hobos, and the like. I go to museums and take notes. I immerse myself in so much research that sometimes I forget I am supposed to be writing.

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How many installments will we see in The Steel Roots series? And will we see a sequel to Lost Daughter on the shelves this year?

Crossings, Book #2 of the Steel Roots series was just released in December of 2014. The publisher is expecting another one from me this year, so I guess there will only be three, though I dare say with so many characters afoot there could be some spin offs maybe, I am hopeful. As for the sequel to Lost Daughter of Easa, I cannot guarantee it will be out in 2015, but I can guarantee I will be done with the manuscript in 2015.

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What are you working on currently? And can you provide us with a snippet from it?

I am currently working on both the sequel to Lost Daughter and the next Steel Roots book, as for a snippet, let’s just say in Lost Daughter the dragons will awaken. As for Steel Roots, I can only tell you that it will be the greatest invention ever. Spoilers, Sweetie, spoilers.

As winsome and evasive as River Song herself, eh, Jen? I guess that’s part of the mysterious allure that keeps readers coming back for more. Frankly, I’m looking forward to continuing AB’Gale’s journey.

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What new creative works will you have hitting the shelves or the web in 2015?

I know that the Steel Roots sequel is slotted for release sometime in 2015, as for the rest we will just have to wait and see what 2015 has to bring.

One last question before we go, Jen. Where can we read more about you and your works? Do you have a writing blog or website(s) that you’d like to promote here?

You can find out more about me on www.elsielind.com or go to jlsbooks.blogspot.com/

You can also find out more about Authora and some poetry at the following link: http://home.comcast.net/~mulvijen/site/

Or catch me on my Facebook pages:

https://www.facebook.com/JLMulvihill

https://www.facebook.com/mulvijen?ref=hl

https://www.facebook.com/TheElsieLindSeries?ref=hl

https://www.facebook.com/SteelRootsSeries?ref=hl

Jen cosplaying The Spider Witch from Lost Daughter of Easa.

Jen cosplaying The Spider Witch from Lost Daughter of Easa.

Thanks for agreeing to the interview, Jen. It’s been great chatting with you again and letting our readers learn more about you and what you have planned for the new year. Wish you the best in 2015. Hope to see you back on the Southern Fandom Convention Circuit soon.

If you would like to meet J.L. Mulvihill in person and pick up a signed copy of one of her works, you can find her at the First Annual Dark Oak Press Book Signing at the Barnes & Noble in Ridgeland, Mississippi on January 24, 2015. Alexander S. Brown, Kalila Smith, Kimberly Richardson, and publisher Allan Gilbreath will be in attendance.

For more details, find the event on Facebook HERE.

Stay tuned to this blog for more interviews, announcements, updates, and more.